De quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme

This article examines an under-studied genre of Orientalism, represented by the invention of neo-Islamic furniture beginning in the 1860s. Its guiding principle is the appropriation, at once Occidental, Ottoman, and Egyptian of the kursi, a small polygonal table, incrusted with mother-of-pearl, tor...

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Auteur principal: Volait, Mercedes
Format: Article ou chapitre numérique
Langue:Français
Publié: 2024
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_222_0032RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2023-4-page-32?lang=fr https://doi.org/10.3917/rda.222.0032 De quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme Volait, Mercedes2024 fre Revue de l'art | 222 | 4 | 2024-01-29 | p. 32-41 | 0035-1326 RDA_22276 This article examines an under-studied genre of Orientalism, represented by the invention of neo-Islamic furniture beginning in the 1860s. Its guiding principle is the appropriation, at once Occidental, Ottoman, and Egyptian of the kursi, a small polygonal table, incrusted with mother-of-pearl, tortoise shell, or bone, and its material transformation according to its interactions with arts and crafts, interior decorations and international commerce. After having recalled the history both complex and varied of the furnishing the article focuses on the distinctive style created in Cairo by the Italian cabinetmaker Giuseppe Parvis, and the global impact of his invention after the integration of Egypt into the British Empire, as witnessed by the catalogues of department stores such as Liberty & Co. in London, and Zacchiri in Vienna and Budapest. The article concludes by highlighting the documentary contribution that Orientalist painting can provide for closely following these developments.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This article examines an under-studied genre of Orientalism, represented by the invention of neo-Islamic furniture beginning in the 1860s. Its guiding principle is the appropriation, at once Occidental, Ottoman, and Egyptian of the kursi, a small polygonal table, incrusted with mother-of-pearl, tortoise shell, or bone, and its material transformation according to its interactions with arts and crafts, interior decorations and international commerce. After having recalled the history both complex and varied of the furnishing the article focuses on the distinctive style created in Cairo by the Italian cabinetmaker Giuseppe Parvis, and the global impact of his invention after the integration of Egypt into the British Empire, as witnessed by the catalogues of department stores such as Liberty & Co. in London, and Zacchiri in Vienna and Budapest. The article concludes by highlighting the documentary contribution that Orientalist painting can provide for closely following these developments.
author Volait, Mercedes
spellingShingle Volait, Mercedes
De quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme
author_facet Volait, Mercedes
author_sort Volait, Mercedes
title De quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme
title_short De quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme
title_full De quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme
title_fullStr De quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme
title_full_unstemmed De quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme
title_sort de quelques déclinaisons mobilières de l’orientalisme fin de siècle, entre ancrage local, diffusion globale et syncrétisme
publishDate 2024
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2023-4-page-32?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.222.0032
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