« Un grand monsieur » de la photographie, Jean-Claude Lemagny (1931-2023)

The article explores the considerable impulses that have been generated by paintings which had come to Paris in the wake of the confiscations of works of art during the Napoleonic Empire. At the centre of the contribution is a revealing case study that shows how, around 1814, the French painter Geor...

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Bibliografski detalji
Glavni autor: Versavel, Dominique
Format: Article ou chapitre numérique
Jezik:Français
Izdano: 2023
Online pristup:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

Internet

https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2023-3-page-76?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.221.0076