Benito Navarrete Prieto [dir.], Herrera el Mozo y el Barocco total, Madrid, Museo Nacional del Prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [Textes introductifs de L. Alba, M. Álvarez-Garcillán, Á.Aterrido, B. Blasco Esquivas, P. Cherry, A. García Baeza, J. García Máiquez, L. Gayo, M. Jover, B. Navarrete Prieto. Catalogue par Á. Aterrido, A. García Baeza, A. Martinez Pérez, B. Navarrete Prieto.]

The article explores the considerable impulses that have been generated by paintings which had come to Paris in the wake of the confiscations of works of art during the Napoleonic Empire. At the centre of the contribution is a revealing case study that shows how, around 1814, the French painter Geor...

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Auteur principal: Curie, Pierre
Format: Article ou chapitre numérique
Langue:Français
Publié: 2023
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_221_0074aRDARevue de l'art https://shs.cairn.info/revue-de-l-art-2023-3-page-74?lang=fr https://doi.org/10.3917/rda.221.0074a Benito Navarrete Prieto [dir.], Herrera el Mozo y el Barocco total, Madrid, Museo Nacional del Prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [Textes introductifs de L. Alba, M. Álvarez-Garcillán, Á.Aterrido, B. Blasco Esquivas, P. Cherry, A. García Baeza, J. García Máiquez, L. Gayo, M. Jover, B. Navarrete Prieto. Catalogue par Á. Aterrido, A. García Baeza, A. Martinez Pérez, B. Navarrete Prieto.] Curie, Pierre2023 fre Revue de l'art | 221 | 3 | 2023-12-22 | p. 74-75 | 0035-1326 RDA_22170 The article explores the considerable impulses that have been generated by paintings which had come to Paris in the wake of the confiscations of works of art during the Napoleonic Empire. At the centre of the contribution is a revealing case study that shows how, around 1814, the French painter Georges Michel responded to a landscape by Rembrandt and used it as inspiration for his own painting. Based on this example, two questions are addressed : On the one hand, Michel’s painting exemplifies how much contemporary landscape painting in Paris benefited from the unusually good presence of Rembrandt’s landscapes in the years up to 1815. On the other hand, the case study could allow to determine the chronology of Michel’s oeuvre more precisely.Cairn free access
language Français
format Article ou chapitre numérique
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description The article explores the considerable impulses that have been generated by paintings which had come to Paris in the wake of the confiscations of works of art during the Napoleonic Empire. At the centre of the contribution is a revealing case study that shows how, around 1814, the French painter Georges Michel responded to a landscape by Rembrandt and used it as inspiration for his own painting. Based on this example, two questions are addressed : On the one hand, Michel’s painting exemplifies how much contemporary landscape painting in Paris benefited from the unusually good presence of Rembrandt’s landscapes in the years up to 1815. On the other hand, the case study could allow to determine the chronology of Michel’s oeuvre more precisely.
author Curie, Pierre
spellingShingle Curie, Pierre
Benito Navarrete Prieto [dir.], Herrera el Mozo y el Barocco total, Madrid, Museo Nacional del Prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [Textes introductifs de L. Alba, M. Álvarez-Garcillán, Á.Aterrido, B. Blasco Esquivas, P. Cherry, A. García Baeza, J. García Máiquez, L. Gayo, M. Jover, B. Navarrete Prieto. Catalogue par Á. Aterrido, A. García Baeza, A. Martinez Pérez, B. Navarrete Prieto.]
author_facet Curie, Pierre
author_sort Curie, Pierre
title Benito Navarrete Prieto [dir.], Herrera el Mozo y el Barocco total, Madrid, Museo Nacional del Prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [Textes introductifs de L. Alba, M. Álvarez-Garcillán, Á.Aterrido, B. Blasco Esquivas, P. Cherry, A. García Baeza, J. García Máiquez, L. Gayo, M. Jover, B. Navarrete Prieto. Catalogue par Á. Aterrido, A. García Baeza, A. Martinez Pérez, B. Navarrete Prieto.]
title_short Benito Navarrete Prieto [dir.], Herrera el Mozo y el Barocco total, Madrid, Museo Nacional del Prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [Textes introductifs de L. Alba, M. Álvarez-Garcillán, Á.Aterrido, B. Blasco Esquivas, P. Cherry, A. García Baeza, J. García Máiquez, L. Gayo, M. Jover, B. Navarrete Prieto. Catalogue par Á. Aterrido, A. García Baeza, A. Martinez Pérez, B. Navarrete Prieto.]
title_full Benito Navarrete Prieto [dir.], Herrera el Mozo y el Barocco total, Madrid, Museo Nacional del Prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [Textes introductifs de L. Alba, M. Álvarez-Garcillán, Á.Aterrido, B. Blasco Esquivas, P. Cherry, A. García Baeza, J. García Máiquez, L. Gayo, M. Jover, B. Navarrete Prieto. Catalogue par Á. Aterrido, A. García Baeza, A. Martinez Pérez, B. Navarrete Prieto.]
title_fullStr Benito Navarrete Prieto [dir.], Herrera el Mozo y el Barocco total, Madrid, Museo Nacional del Prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [Textes introductifs de L. Alba, M. Álvarez-Garcillán, Á.Aterrido, B. Blasco Esquivas, P. Cherry, A. García Baeza, J. García Máiquez, L. Gayo, M. Jover, B. Navarrete Prieto. Catalogue par Á. Aterrido, A. García Baeza, A. Martinez Pérez, B. Navarrete Prieto.]
title_full_unstemmed Benito Navarrete Prieto [dir.], Herrera el Mozo y el Barocco total, Madrid, Museo Nacional del Prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [Textes introductifs de L. Alba, M. Álvarez-Garcillán, Á.Aterrido, B. Blasco Esquivas, P. Cherry, A. García Baeza, J. García Máiquez, L. Gayo, M. Jover, B. Navarrete Prieto. Catalogue par Á. Aterrido, A. García Baeza, A. Martinez Pérez, B. Navarrete Prieto.]
title_sort benito navarrete prieto [dir.], herrera el mozo y el barocco total, madrid, museo nacional del prado, 2023, 318 p., 72 n° repr. coul., environ 100 fig. repr. coul. [textes introductifs de l. alba, m. álvarez-garcillán, á.aterrido, b. blasco esquivas, p. cherry, a. garcía baeza, j. garcía máiquez, l. gayo, m. jover, b. navarrete prieto. catalogue par á. aterrido, a. garcía baeza, a. martinez pérez, b. navarrete prieto.]
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