Maillol à Orsay : de 1987 à 2022, ni tout à fait le même, ni tout à fait un autre
The article explores the considerable impulses that have been generated by paintings which had come to Paris in the wake of the confiscations of works of art during the Napoleonic Empire. At the centre of the contribution is a revealing case study that shows how, around 1814, the French painter Geor...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
| Pubblicazione: |
2023
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |