Book of beasts. The bestiary in the medieval world. Catalogue d’exposition (Los Angeles, Getty Center, 14 mai-18 août 2019), sous la direction d’Elizabeth Morrison, avec la collaboration de Larisa Grollemond, The J. Paul Getty Museum, Los Angeles, 2019. 340 p., 114 ill. en coul.

Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Nat...

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Auteur principal: Rouchon Mouilleron, Véronique
Format: Article ou chapitre numérique
Langue:Français
Publié: 2023
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_220_0078a02RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2023-2-page-78a?lang=fr https://doi.org/10.3917/rda.220.0078a02 Book of beasts. The bestiary in the medieval world. Catalogue d’exposition (Los Angeles, Getty Center, 14 mai-18 août 2019), sous la direction d’Elizabeth Morrison, avec la collaboration de Larisa Grollemond, The J. Paul Getty Museum, Los Angeles, 2019. 340 p., 114 ill. en coul. Rouchon Mouilleron, Véronique2023 fre Revue de l'art | 220 | 2 | 2023-07-20 | p. 78a-79 | 0035-1326 RDA_22059 Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Natural house.” The architect wanted to create a perfect match between the building and its site. The relationship to the landscape environment is no longer analogical (determined by the forms of a certain architectural tradition), but homological (dictated by the desire to design a building in symbiosis with its mineral, vegetal, and animal environment). This article seeks to analyze the relationship between Taliesin and its site and to determine in what way the landscape impacts the architecture, whether in its aesthetic or spatial dimension. To do so, I will first focus on the concept of organic architecture developed by Wright, and then examine the synesthetic and empathetic fallouts created by the complex on its visitor by defining the role and the impact of the views leading from the building to its site.Cairn restricted access
language Français
format Article ou chapitre numérique
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description Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Natural house.” The architect wanted to create a perfect match between the building and its site. The relationship to the landscape environment is no longer analogical (determined by the forms of a certain architectural tradition), but homological (dictated by the desire to design a building in symbiosis with its mineral, vegetal, and animal environment). This article seeks to analyze the relationship between Taliesin and its site and to determine in what way the landscape impacts the architecture, whether in its aesthetic or spatial dimension. To do so, I will first focus on the concept of organic architecture developed by Wright, and then examine the synesthetic and empathetic fallouts created by the complex on its visitor by defining the role and the impact of the views leading from the building to its site.
author Rouchon Mouilleron, Véronique
spellingShingle Rouchon Mouilleron, Véronique
Book of beasts. The bestiary in the medieval world. Catalogue d’exposition (Los Angeles, Getty Center, 14 mai-18 août 2019), sous la direction d’Elizabeth Morrison, avec la collaboration de Larisa Grollemond, The J. Paul Getty Museum, Los Angeles, 2019. 340 p., 114 ill. en coul.
author_facet Rouchon Mouilleron, Véronique
author_sort Rouchon Mouilleron, Véronique
title Book of beasts. The bestiary in the medieval world. Catalogue d’exposition (Los Angeles, Getty Center, 14 mai-18 août 2019), sous la direction d’Elizabeth Morrison, avec la collaboration de Larisa Grollemond, The J. Paul Getty Museum, Los Angeles, 2019. 340 p., 114 ill. en coul.
title_short Book of beasts. The bestiary in the medieval world. Catalogue d’exposition (Los Angeles, Getty Center, 14 mai-18 août 2019), sous la direction d’Elizabeth Morrison, avec la collaboration de Larisa Grollemond, The J. Paul Getty Museum, Los Angeles, 2019. 340 p., 114 ill. en coul.
title_full Book of beasts. The bestiary in the medieval world. Catalogue d’exposition (Los Angeles, Getty Center, 14 mai-18 août 2019), sous la direction d’Elizabeth Morrison, avec la collaboration de Larisa Grollemond, The J. Paul Getty Museum, Los Angeles, 2019. 340 p., 114 ill. en coul.
title_fullStr Book of beasts. The bestiary in the medieval world. Catalogue d’exposition (Los Angeles, Getty Center, 14 mai-18 août 2019), sous la direction d’Elizabeth Morrison, avec la collaboration de Larisa Grollemond, The J. Paul Getty Museum, Los Angeles, 2019. 340 p., 114 ill. en coul.
title_full_unstemmed Book of beasts. The bestiary in the medieval world. Catalogue d’exposition (Los Angeles, Getty Center, 14 mai-18 août 2019), sous la direction d’Elizabeth Morrison, avec la collaboration de Larisa Grollemond, The J. Paul Getty Museum, Los Angeles, 2019. 340 p., 114 ill. en coul.
title_sort book of beasts. the bestiary in the medieval world. catalogue d’exposition (los angeles, getty center, 14 mai-18 août 2019), sous la direction d’elizabeth morrison, avec la collaboration de larisa grollemond, the j. paul getty museum, los angeles, 2019. 340 p., 114 ill. en coul.
publishDate 2023
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