Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.

Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.

Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Nat...

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Detaylı Bibliyografya
Yazar: Lavenus, Marielle
Materyal Türü: Article ou chapitre numérique
Dil:Français
Baskı/Yayın Bilgisi: 2023
Online Erişim:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_220_0078a01RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2023-2-page-78?lang=fr https://doi.org/10.3917/rda.220.0078a01 Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl. Lavenus, Marielle2023 fre Revue de l'art | 220 | 2 | 2023-07-20 | p. 78-78 | 0035-1326 RDA_22058 Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Natural house.” The architect wanted to create a perfect match between the building and its site. The relationship to the landscape environment is no longer analogical (determined by the forms of a certain architectural tradition), but homological (dictated by the desire to design a building in symbiosis with its mineral, vegetal, and animal environment). This article seeks to analyze the relationship between Taliesin and its site and to determine in what way the landscape impacts the architecture, whether in its aesthetic or spatial dimension. To do so, I will first focus on the concept of organic architecture developed by Wright, and then examine the synesthetic and empathetic fallouts created by the complex on its visitor by defining the role and the impact of the views leading from the building to its site.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Natural house.” The architect wanted to create a perfect match between the building and its site. The relationship to the landscape environment is no longer analogical (determined by the forms of a certain architectural tradition), but homological (dictated by the desire to design a building in symbiosis with its mineral, vegetal, and animal environment). This article seeks to analyze the relationship between Taliesin and its site and to determine in what way the landscape impacts the architecture, whether in its aesthetic or spatial dimension. To do so, I will first focus on the concept of organic architecture developed by Wright, and then examine the synesthetic and empathetic fallouts created by the complex on its visitor by defining the role and the impact of the views leading from the building to its site.
author Lavenus, Marielle
spellingShingle Lavenus, Marielle
Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.
author_facet Lavenus, Marielle
author_sort Lavenus, Marielle
title Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.
title_short Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.
title_full Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.
title_fullStr Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.
title_full_unstemmed Samuel Gras et Anne-Marie Legaré (dir.), Lumières du Nord. Les manuscrits français et flamands de la Bibliothèque nationale d’Espagne. Villeneuve d’Ascq, Presses universitaires du Septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.
title_sort samuel gras et anne-marie legaré (dir.), lumières du nord. les manuscrits français et flamands de la bibliothèque nationale d’espagne. villeneuve d’ascq, presses universitaires du septentrion, 2021, 392 p., nbr. ill. coul. et n. et bl.
publishDate 2023
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2023-2-page-78?lang=fr
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