Un palais pour l’Empereur. Napoléon Ier à Fontainebleau

Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Nat...

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主要作者: Caron, Mathieu
格式: Article ou chapitre numérique
語言:Français
出版: 2023
在線閱讀:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RDA_220_0066
record_format cairn
spelling cairn-RDA_220_0066RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2023-2-page-66?lang=fr https://doi.org/10.3917/rda.220.0066 Un palais pour l’Empereur. Napoléon Ier à Fontainebleau Caron, Mathieu2023 fre Revue de l'art | 220 | 2 | 2023-07-20 | p. 66-71 | 0035-1326 RDA_22056 Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Natural house.” The architect wanted to create a perfect match between the building and its site. The relationship to the landscape environment is no longer analogical (determined by the forms of a certain architectural tradition), but homological (dictated by the desire to design a building in symbiosis with its mineral, vegetal, and animal environment). This article seeks to analyze the relationship between Taliesin and its site and to determine in what way the landscape impacts the architecture, whether in its aesthetic or spatial dimension. To do so, I will first focus on the concept of organic architecture developed by Wright, and then examine the synesthetic and empathetic fallouts created by the complex on its visitor by defining the role and the impact of the views leading from the building to its site.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Natural house.” The architect wanted to create a perfect match between the building and its site. The relationship to the landscape environment is no longer analogical (determined by the forms of a certain architectural tradition), but homological (dictated by the desire to design a building in symbiosis with its mineral, vegetal, and animal environment). This article seeks to analyze the relationship between Taliesin and its site and to determine in what way the landscape impacts the architecture, whether in its aesthetic or spatial dimension. To do so, I will first focus on the concept of organic architecture developed by Wright, and then examine the synesthetic and empathetic fallouts created by the complex on its visitor by defining the role and the impact of the views leading from the building to its site.
author Caron, Mathieu
spellingShingle Caron, Mathieu
Un palais pour l’Empereur. Napoléon Ier à Fontainebleau
author_facet Caron, Mathieu
author_sort Caron, Mathieu
title Un palais pour l’Empereur. Napoléon Ier à Fontainebleau
title_short Un palais pour l’Empereur. Napoléon Ier à Fontainebleau
title_full Un palais pour l’Empereur. Napoléon Ier à Fontainebleau
title_fullStr Un palais pour l’Empereur. Napoléon Ier à Fontainebleau
title_full_unstemmed Un palais pour l’Empereur. Napoléon Ier à Fontainebleau
title_sort un palais pour l’empereur. napoléon ier à fontainebleau
publishDate 2023
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2023-2-page-66?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.220.0066
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