Jacques-Louis David, « dessinateur radical »

Jacques-Louis David, « dessinateur radical »

Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Nat...

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Hovedforfatter: Jardat, Ulysse
Format: Article ou chapitre numérique
Sprog:Français
Udgivet: 2023
Online adgang:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RDA_220_0050
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spelling cairn-RDA_220_0050RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2023-2-page-50?lang=fr https://doi.org/10.3917/rda.220.0050 Jacques-Louis David, « dessinateur radical » Jardat, Ulysse2023 fre Revue de l'art | 220 | 2 | 2023-07-20 | p. 50-57 | 0035-1326 RDA_22054 Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Natural house.” The architect wanted to create a perfect match between the building and its site. The relationship to the landscape environment is no longer analogical (determined by the forms of a certain architectural tradition), but homological (dictated by the desire to design a building in symbiosis with its mineral, vegetal, and animal environment). This article seeks to analyze the relationship between Taliesin and its site and to determine in what way the landscape impacts the architecture, whether in its aesthetic or spatial dimension. To do so, I will first focus on the concept of organic architecture developed by Wright, and then examine the synesthetic and empathetic fallouts created by the complex on its visitor by defining the role and the impact of the views leading from the building to its site.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Among the eight Frank Lloyd Wright’s buildings recently inscribed on UNESCO’s World Heritage List, Taliesin is a central creation in the architect’s career. Built in Wisconsin from 1911, the complex is the second of Wright’s three homes and studios. Taliesin is the first of what Wright called a “Natural house.” The architect wanted to create a perfect match between the building and its site. The relationship to the landscape environment is no longer analogical (determined by the forms of a certain architectural tradition), but homological (dictated by the desire to design a building in symbiosis with its mineral, vegetal, and animal environment). This article seeks to analyze the relationship between Taliesin and its site and to determine in what way the landscape impacts the architecture, whether in its aesthetic or spatial dimension. To do so, I will first focus on the concept of organic architecture developed by Wright, and then examine the synesthetic and empathetic fallouts created by the complex on its visitor by defining the role and the impact of the views leading from the building to its site.
author Jardat, Ulysse
spellingShingle Jardat, Ulysse
Jacques-Louis David, « dessinateur radical »
author_facet Jardat, Ulysse
author_sort Jardat, Ulysse
title Jacques-Louis David, « dessinateur radical »
title_short Jacques-Louis David, « dessinateur radical »
title_full Jacques-Louis David, « dessinateur radical »
title_fullStr Jacques-Louis David, « dessinateur radical »
title_full_unstemmed Jacques-Louis David, « dessinateur radical »
title_sort jacques-louis david, « dessinateur radical »
publishDate 2023
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2023-2-page-50?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.220.0050
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