De la plume au pinceau : œuvres inédites d’Horace Le Blanc (vers 1575-1637)

After a rich career in Lyons, crowned by the creation of the title of peintre ordinaire de ville in 1623 and that of peintre du roi in 1626, the memory of Horace Le Blanc (around 1575 -1637) was gradually overshadowed in the 18th century by the renown of his famous student, Jacques Blanchard. This...

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Auteur principal: Lavit, Oriane
Format: Article ou chapitre numérique
Langue:Français
Publié: 2023
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_220_0008RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2023-2-page-8?lang=fr https://doi.org/10.3917/rda.220.0008 De la plume au pinceau : œuvres inédites d’Horace Le Blanc (vers 1575-1637) Lavit, Oriane2023 fre Revue de l'art | 220 | 2 | 2023-07-20 | p. 8-17 | 0035-1326 RDA_22050 After a rich career in Lyons, crowned by the creation of the title of peintre ordinaire de ville in 1623 and that of peintre du roi in 1626, the memory of Horace Le Blanc (around 1575 -1637) was gradually overshadowed in the 18th century by the renown of his famous student, Jacques Blanchard. This fall to near oblivion was reenforced by the very few number of works from his hand that have come down to us. Because of this it is difficult to appreciate his art. The rediscovery of several unpublished works; a painting, its preparatory drawing and another leaf, is therefore extremely valuable. Through them can be better understood the range of the influences he received as well as demonstrating new stylistic aspects in the corpus of his work that may lead to the rediscovery of other works.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description After a rich career in Lyons, crowned by the creation of the title of peintre ordinaire de ville in 1623 and that of peintre du roi in 1626, the memory of Horace Le Blanc (around 1575 -1637) was gradually overshadowed in the 18th century by the renown of his famous student, Jacques Blanchard. This fall to near oblivion was reenforced by the very few number of works from his hand that have come down to us. Because of this it is difficult to appreciate his art. The rediscovery of several unpublished works; a painting, its preparatory drawing and another leaf, is therefore extremely valuable. Through them can be better understood the range of the influences he received as well as demonstrating new stylistic aspects in the corpus of his work that may lead to the rediscovery of other works.
author Lavit, Oriane
spellingShingle Lavit, Oriane
De la plume au pinceau : œuvres inédites d’Horace Le Blanc (vers 1575-1637)
author_facet Lavit, Oriane
author_sort Lavit, Oriane
title De la plume au pinceau : œuvres inédites d’Horace Le Blanc (vers 1575-1637)
title_short De la plume au pinceau : œuvres inédites d’Horace Le Blanc (vers 1575-1637)
title_full De la plume au pinceau : œuvres inédites d’Horace Le Blanc (vers 1575-1637)
title_fullStr De la plume au pinceau : œuvres inédites d’Horace Le Blanc (vers 1575-1637)
title_full_unstemmed De la plume au pinceau : œuvres inédites d’Horace Le Blanc (vers 1575-1637)
title_sort de la plume au pinceau : œuvres inédites d’horace le blanc (vers 1575-1637)
publishDate 2023
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2023-2-page-8?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.220.0008
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