Les Animaux du Roi au Château de Versailles

Les Animaux du Roi au Château de Versailles

Through the textbook case of the dodo, bird native to Mauritius discovered at the very end of the 16th century by Dutch colonialists and whose species was totally eradicated by the end of the next century, an entire visual discourse, both scientific and popular was built a posteriori during the 19th...

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Glavni avtor: Lavoie, Vincent
Format: Article ou chapitre numérique
Jezik:Français
Izdano: 2023
Online dostop:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_218_0080RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2022-4-page-80?lang=fr https://doi.org/10.3917/rda.218.0080 Les Animaux du Roi au Château de Versailles Lavoie, Vincent2023 fre Revue de l'art | 218 | 4 | 2023-02-23 | p. 80-83 | 0035-1326 RDA_21831 Through the textbook case of the dodo, bird native to Mauritius discovered at the very end of the 16th century by Dutch colonialists and whose species was totally eradicated by the end of the next century, an entire visual discourse, both scientific and popular was built a posteriori during the 19th century, as the first environmental concerns were expressed notably in British society. Other species of birds unfortunately succeeded to this role of sentinel that had been played by the dodo, for example the passenger pigeon whose billions of individuals were decimated in record time on the North American soil. Heir to this iconography, in 2013 the Canadian photographer Sara Angelucci wrote a new stage in this iconography of extinction, borrowing the canons in order to replay them in a critical way, in light of the Anthropocene era and in the midst of the sixth extinction of the mass of the living.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Through the textbook case of the dodo, bird native to Mauritius discovered at the very end of the 16th century by Dutch colonialists and whose species was totally eradicated by the end of the next century, an entire visual discourse, both scientific and popular was built a posteriori during the 19th century, as the first environmental concerns were expressed notably in British society. Other species of birds unfortunately succeeded to this role of sentinel that had been played by the dodo, for example the passenger pigeon whose billions of individuals were decimated in record time on the North American soil. Heir to this iconography, in 2013 the Canadian photographer Sara Angelucci wrote a new stage in this iconography of extinction, borrowing the canons in order to replay them in a critical way, in light of the Anthropocene era and in the midst of the sixth extinction of the mass of the living.
author Lavoie, Vincent
spellingShingle Lavoie, Vincent
Les Animaux du Roi au Château de Versailles
author_facet Lavoie, Vincent
author_sort Lavoie, Vincent
title Les Animaux du Roi au Château de Versailles
title_short Les Animaux du Roi au Château de Versailles
title_full Les Animaux du Roi au Château de Versailles
title_fullStr Les Animaux du Roi au Château de Versailles
title_full_unstemmed Les Animaux du Roi au Château de Versailles
title_sort les animaux du roi au château de versailles
publishDate 2023
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2022-4-page-80?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.218.0080
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