Portraits de l’extinction, icônes aviaires de la fin

Portraits de l’extinction, icônes aviaires de la fin

Through the textbook case of the dodo, bird native to Mauritius discovered at the very end of the 16th century by Dutch colonialists and whose species was totally eradicated by the end of the next century, an entire visual discourse, both scientific and popular was built a posteriori during the 19th...

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Autor principal: Ramade, Bénédicte
Format: Article ou chapitre numérique
Idioma:Français
Publicat: 2023
Accés en línia:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RDA_218_0070
record_format cairn
spelling cairn-RDA_218_0070RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2022-4-page-70?lang=fr https://doi.org/10.3917/rda.218.0070 Portraits de l’extinction, icônes aviaires de la fin Ramade, Bénédicte2023 fre Revue de l'art | 218 | 4 | 2023-02-23 | p. 70-79 | 0035-1326 RDA_21830 Through the textbook case of the dodo, bird native to Mauritius discovered at the very end of the 16th century by Dutch colonialists and whose species was totally eradicated by the end of the next century, an entire visual discourse, both scientific and popular was built a posteriori during the 19th century, as the first environmental concerns were expressed notably in British society. Other species of birds unfortunately succeeded to this role of sentinel that had been played by the dodo, for example the passenger pigeon whose billions of individuals were decimated in record time on the North American soil. Heir to this iconography, in 2013 the Canadian photographer Sara Angelucci wrote a new stage in this iconography of extinction, borrowing the canons in order to replay them in a critical way, in light of the Anthropocene era and in the midst of the sixth extinction of the mass of the living.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Through the textbook case of the dodo, bird native to Mauritius discovered at the very end of the 16th century by Dutch colonialists and whose species was totally eradicated by the end of the next century, an entire visual discourse, both scientific and popular was built a posteriori during the 19th century, as the first environmental concerns were expressed notably in British society. Other species of birds unfortunately succeeded to this role of sentinel that had been played by the dodo, for example the passenger pigeon whose billions of individuals were decimated in record time on the North American soil. Heir to this iconography, in 2013 the Canadian photographer Sara Angelucci wrote a new stage in this iconography of extinction, borrowing the canons in order to replay them in a critical way, in light of the Anthropocene era and in the midst of the sixth extinction of the mass of the living.
author Ramade, Bénédicte
spellingShingle Ramade, Bénédicte
Portraits de l’extinction, icônes aviaires de la fin
author_facet Ramade, Bénédicte
author_sort Ramade, Bénédicte
title Portraits de l’extinction, icônes aviaires de la fin
title_short Portraits de l’extinction, icônes aviaires de la fin
title_full Portraits de l’extinction, icônes aviaires de la fin
title_fullStr Portraits de l’extinction, icônes aviaires de la fin
title_full_unstemmed Portraits de l’extinction, icônes aviaires de la fin
title_sort portraits de l’extinction, icônes aviaires de la fin
publishDate 2023
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2022-4-page-70?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.218.0070
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