Ut pictura vestis – À la mode. L’art de paraître au XVIIIe siècle.
André Derain’s art aroused interest on the other side of the Rhine, between 1906 and 1914, parallel to the artist’s evolution from Fauvism to Cubism to a more personal style. Its reception in Germany took place in a tense context full of esthetic debates. However certain pioneer-collectors made init...
Enregistré dans:
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_217_0066 |
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cairn |
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cairn-RDA_217_0066RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2022-3-page-66?lang=fr https://doi.org/10.3917/rda.217.0066 Ut pictura vestis – À la mode. L’art de paraître au XVIIIe siècle. Desrante, Virginie2022 fre Revue de l'art | 217 | 3 | 2022-11-07 | p. 66-71 | 0035-1326 RDA_21711 André Derain’s art aroused interest on the other side of the Rhine, between 1906 and 1914, parallel to the artist’s evolution from Fauvism to Cubism to a more personal style. Its reception in Germany took place in a tense context full of esthetic debates. However certain pioneer-collectors made initial acquisitions, while exhibitions multiplied. This study examines the little known impact of Derain’s painting and graphic work in Dresden, Munich, and Dusseldorf, as well as in Cologne, Berlin, and Breslau and seeks to contribute to research on the provenances.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
André Derain’s art aroused interest on the other side of the Rhine, between 1906 and 1914, parallel to the artist’s evolution from Fauvism to Cubism to a more personal style. Its reception in Germany took place in a tense context full of esthetic debates. However certain pioneer-collectors made initial acquisitions, while exhibitions multiplied. This study examines the little known impact of Derain’s painting and graphic work in Dresden, Munich, and Dusseldorf, as well as in Cologne, Berlin, and Breslau and seeks to contribute to research on the provenances. |
| author |
Desrante, Virginie |
| spellingShingle |
Desrante, Virginie Ut pictura vestis – À la mode. L’art de paraître au XVIIIe siècle. |
| author_facet |
Desrante, Virginie |
| author_sort |
Desrante, Virginie |
| title |
Ut pictura vestis – À la mode. L’art de paraître au XVIIIe siècle. |
| title_short |
Ut pictura vestis – À la mode. L’art de paraître au XVIIIe siècle. |
| title_full |
Ut pictura vestis – À la mode. L’art de paraître au XVIIIe siècle. |
| title_fullStr |
Ut pictura vestis – À la mode. L’art de paraître au XVIIIe siècle. |
| title_full_unstemmed |
Ut pictura vestis – À la mode. L’art de paraître au XVIIIe siècle. |
| title_sort |
ut pictura vestis – à la mode. l’art de paraître au xviiie siècle. |
| publishDate |
2022 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2022-3-page-66?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.217.0066 |
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