Hypothèses bourguignonnes pour le Maestro di Casa Pendaglia de Ferrare

The study focuses on the role played by and aspects of the anonymous Master of the Casa Pendaglia. He was one of the most important painters in the Ferrara of Nicolo III d’Este (1393-1441). The catalogue of his works is reconstituted thanks to the recovery of a basic core of frescoes once part of th...

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Hovedforfatter: Guerzi, Chiara
Format: Article ou chapitre numérique
Sprog:Français
Udgivet: 2022
Online adgang:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_217_0008RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2022-3-page-8?lang=fr https://doi.org/10.3917/rda.217.0008 Hypothèses bourguignonnes pour le Maestro di Casa Pendaglia de Ferrare Guerzi, Chiara2022 fre Revue de l'art | 217 | 3 | 2022-11-07 | p. 8-21 | 0035-1326 RDA_2175 The study focuses on the role played by and aspects of the anonymous Master of the Casa Pendaglia. He was one of the most important painters in the Ferrara of Nicolo III d’Este (1393-1441). The catalogue of his works is reconstituted thanks to the recovery of a basic core of frescoes once part of the decoration of the city palace that was formerly the residence of the noble Pendaglia family. Today these fragments are preserved in the local Pinacoteca Nazionale. Stylistic evidence points to similarities with the small corpus of works recognized to be by the hand of the Master of the Massari Pièta. He was a painter of Ferrarese culture but his style was also distinguished by unequivocal International intonations. These accents were more modern, akin to International style recalling the work of the contemporary Franco-Burgundian milieu. An area of culture that was important for the d’Este court of the Marquis Nicolo. It is believed that the works of the Master of Massari Pieta provide the clue to his origins: that of an artist from the north but settled in Ferrara.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description The study focuses on the role played by and aspects of the anonymous Master of the Casa Pendaglia. He was one of the most important painters in the Ferrara of Nicolo III d’Este (1393-1441). The catalogue of his works is reconstituted thanks to the recovery of a basic core of frescoes once part of the decoration of the city palace that was formerly the residence of the noble Pendaglia family. Today these fragments are preserved in the local Pinacoteca Nazionale. Stylistic evidence points to similarities with the small corpus of works recognized to be by the hand of the Master of the Massari Pièta. He was a painter of Ferrarese culture but his style was also distinguished by unequivocal International intonations. These accents were more modern, akin to International style recalling the work of the contemporary Franco-Burgundian milieu. An area of culture that was important for the d’Este court of the Marquis Nicolo. It is believed that the works of the Master of Massari Pieta provide the clue to his origins: that of an artist from the north but settled in Ferrara.
author Guerzi, Chiara
spellingShingle Guerzi, Chiara
Hypothèses bourguignonnes pour le Maestro di Casa Pendaglia de Ferrare
author_facet Guerzi, Chiara
author_sort Guerzi, Chiara
title Hypothèses bourguignonnes pour le Maestro di Casa Pendaglia de Ferrare
title_short Hypothèses bourguignonnes pour le Maestro di Casa Pendaglia de Ferrare
title_full Hypothèses bourguignonnes pour le Maestro di Casa Pendaglia de Ferrare
title_fullStr Hypothèses bourguignonnes pour le Maestro di Casa Pendaglia de Ferrare
title_full_unstemmed Hypothèses bourguignonnes pour le Maestro di Casa Pendaglia de Ferrare
title_sort hypothèses bourguignonnes pour le maestro di casa pendaglia de ferrare
publishDate 2022
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2022-3-page-8?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.217.0008
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