Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur.

Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur.

Beyond the large photographic groups having contributed to the fame of Jean-Luc Moulène’s work, here the subject is to present several singular aspects of the very numerous images of plants that the artist has produced over several past decades and that have, for the most part, remained largely unk...

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Auteur principal: de Bosio, Stefano
Format: Article ou chapitre numérique
Langue:Français
Publié: 2022
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_215_0093aRDARevue de l'art https://shs.cairn.info/revue-de-l-art-2022-1-page-93a?lang=fr https://doi.org/10.3917/rda.215.0093a Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur. de Bosio, Stefano2022 fre Revue de l'art | 215 | 1 | 2022-01-26 | p. 93a-93a | 0035-1326 RDA_21511 Beyond the large photographic groups having contributed to the fame of Jean-Luc Moulène’s work, here the subject is to present several singular aspects of the very numerous images of plants that the artist has produced over several past decades and that have, for the most part, remained largely unknown or even unpublished. Developed though a lengthy observation of the vegetal species and their ecosystems, the images in question simultaneously refer to botanical sciences and to art history in order to better deconstruct existing models, and allow for the restitution of the imperceptible logic that crosses through the living – be it that of nature or of human actions. Based on the detailed analysis of the chosen works, the text thus invites looking upon Jean-Luc Moulène’s capture of the vegetal as a social practice in itself that engages the artist’s body as well the spectator’s.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Beyond the large photographic groups having contributed to the fame of Jean-Luc Moulène’s work, here the subject is to present several singular aspects of the very numerous images of plants that the artist has produced over several past decades and that have, for the most part, remained largely unknown or even unpublished. Developed though a lengthy observation of the vegetal species and their ecosystems, the images in question simultaneously refer to botanical sciences and to art history in order to better deconstruct existing models, and allow for the restitution of the imperceptible logic that crosses through the living – be it that of nature or of human actions. Based on the detailed analysis of the chosen works, the text thus invites looking upon Jean-Luc Moulène’s capture of the vegetal as a social practice in itself that engages the artist’s body as well the spectator’s.
author de Bosio, Stefano
spellingShingle de Bosio, Stefano
Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur.
author_facet de Bosio, Stefano
author_sort de Bosio, Stefano
title Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur.
title_short Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur.
title_full Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur.
title_fullStr Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur.
title_full_unstemmed Ewa Lajer-Burcharth, The Painter’s Touch: Boucher, Chardin, Fragonard, Princeton University Press, 2018, 312 p., 154, ill. en couleur.
title_sort ewa lajer-burcharth, the painter’s touch: boucher, chardin, fragonard, princeton university press, 2018, 312 p., 154, ill. en couleur.
publishDate 2022
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2022-1-page-93a?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.215.0093a
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