Sallandrouze, manufacture d’exception

Sallandrouze, manufacture d’exception

Beyond the large photographic groups having contributed to the fame of Jean-Luc Moulène’s work, here the subject is to present several singular aspects of the very numerous images of plants that the artist has produced over several past decades and that have, for the most part, remained largely unk...

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Auteur principal: Vaisse, Pierre
Format: Article ou chapitre numérique
Langue:Français
Publié: 2022
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_215_0072RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2022-1-page-72?lang=fr https://doi.org/10.3917/rda.215.0072 Sallandrouze, manufacture d’exception Vaisse, Pierre2022 fre Revue de l'art | 215 | 1 | 2022-01-26 | p. 72-79 | 0035-1326 RDA_2157 Beyond the large photographic groups having contributed to the fame of Jean-Luc Moulène’s work, here the subject is to present several singular aspects of the very numerous images of plants that the artist has produced over several past decades and that have, for the most part, remained largely unknown or even unpublished. Developed though a lengthy observation of the vegetal species and their ecosystems, the images in question simultaneously refer to botanical sciences and to art history in order to better deconstruct existing models, and allow for the restitution of the imperceptible logic that crosses through the living – be it that of nature or of human actions. Based on the detailed analysis of the chosen works, the text thus invites looking upon Jean-Luc Moulène’s capture of the vegetal as a social practice in itself that engages the artist’s body as well the spectator’s.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Beyond the large photographic groups having contributed to the fame of Jean-Luc Moulène’s work, here the subject is to present several singular aspects of the very numerous images of plants that the artist has produced over several past decades and that have, for the most part, remained largely unknown or even unpublished. Developed though a lengthy observation of the vegetal species and their ecosystems, the images in question simultaneously refer to botanical sciences and to art history in order to better deconstruct existing models, and allow for the restitution of the imperceptible logic that crosses through the living – be it that of nature or of human actions. Based on the detailed analysis of the chosen works, the text thus invites looking upon Jean-Luc Moulène’s capture of the vegetal as a social practice in itself that engages the artist’s body as well the spectator’s.
author Vaisse, Pierre
spellingShingle Vaisse, Pierre
Sallandrouze, manufacture d’exception
author_facet Vaisse, Pierre
author_sort Vaisse, Pierre
title Sallandrouze, manufacture d’exception
title_short Sallandrouze, manufacture d’exception
title_full Sallandrouze, manufacture d’exception
title_fullStr Sallandrouze, manufacture d’exception
title_full_unstemmed Sallandrouze, manufacture d’exception
title_sort sallandrouze, manufacture d’exception
publishDate 2022
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2022-1-page-72?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.215.0072
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