Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy
Chagall conceived his first stained glass windows between 1955 and 1957 for the baptistery of the church Notre-Dame-de-Toute-Grace on the plateau of Assy. This inaugural experience, sustained by Jacques Maritain, was initiated by Father Couturier and Canon Devemy. Carried out with the assistance of...
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| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
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2021
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| オンライン・アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_214_0108RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-4-page-108?lang=fr https://doi.org/10.3917/rda.214.0108 Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy Biezunski, Elia2021 fre Revue de l'art | 214 | 4 | 2021-12-23 | p. 108-115 | 0035-1326 RDA_21479 Chagall conceived his first stained glass windows between 1955 and 1957 for the baptistery of the church Notre-Dame-de-Toute-Grace on the plateau of Assy. This inaugural experience, sustained by Jacques Maritain, was initiated by Father Couturier and Canon Devemy. Carried out with the assistance of the stained glass painter Paul Bony, it was part of the search for overall decoration on an architecture scale, combining ceramic, marble bas-reliefs, and stained glass windows. Based on the analysis of the Marc and Ida Chagall archives and the Paul Bony collection housed in the Archives Nationales du Monde du Travail in Roubaix, the author traces the questioning of the painter and the stained glass painter during the different stages of their creation. The article also examines the probable reasons for the interruption of a remarkable but unique collaboration, prelude to the meeting of Chagall with the Simon-Marq workshop in Reims, which will then work with the artist to produce the totality of his stained glass windows.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Chagall conceived his first stained glass windows between 1955 and 1957 for the baptistery of the church Notre-Dame-de-Toute-Grace on the plateau of Assy. This inaugural experience, sustained by Jacques Maritain, was initiated by Father Couturier and Canon Devemy. Carried out with the assistance of the stained glass painter Paul Bony, it was part of the search for overall decoration on an architecture scale, combining ceramic, marble bas-reliefs, and stained glass windows.
Based on the analysis of the Marc and Ida Chagall archives and the Paul Bony collection housed in the Archives Nationales du Monde du Travail in Roubaix, the author traces the questioning of the painter and the stained glass painter during the different stages of their creation. The article also examines the probable reasons for the interruption of a remarkable but unique collaboration, prelude to the meeting of Chagall with the Simon-Marq workshop in Reims, which will then work with the artist to produce the totality of his stained glass windows. |
| author |
Biezunski, Elia |
| spellingShingle |
Biezunski, Elia Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy |
| author_facet |
Biezunski, Elia |
| author_sort |
Biezunski, Elia |
| title |
Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy |
| title_short |
Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy |
| title_full |
Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy |
| title_fullStr |
Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy |
| title_full_unstemmed |
Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy |
| title_sort |
marc chagall et paul bony : l’expérience inaugurale des vitraux d’assy |
| publishDate |
2021 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-4-page-108?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.214.0108 |
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