Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy

Chagall conceived his first stained glass windows between 1955 and 1957 for the baptistery of the church Notre-Dame-de-Toute-Grace on the plateau of Assy. This inaugural experience, sustained by Jacques Maritain, was initiated by Father Couturier and Canon Devemy. Carried out with the assistance of...

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第一著者: Biezunski, Elia
フォーマット: Article ou chapitre numérique
言語:Français
出版事項: 2021
オンライン・アクセス:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_214_0108RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-4-page-108?lang=fr https://doi.org/10.3917/rda.214.0108 Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy Biezunski, Elia2021 fre Revue de l'art | 214 | 4 | 2021-12-23 | p. 108-115 | 0035-1326 RDA_21479 Chagall conceived his first stained glass windows between 1955 and 1957 for the baptistery of the church Notre-Dame-de-Toute-Grace on the plateau of Assy. This inaugural experience, sustained by Jacques Maritain, was initiated by Father Couturier and Canon Devemy. Carried out with the assistance of the stained glass painter Paul Bony, it was part of the search for overall decoration on an architecture scale, combining ceramic, marble bas-reliefs, and stained glass windows. Based on the analysis of the Marc and Ida Chagall archives and the Paul Bony collection housed in the Archives Nationales du Monde du Travail in Roubaix, the author traces the questioning of the painter and the stained glass painter during the different stages of their creation. The article also examines the probable reasons for the interruption of a remarkable but unique collaboration, prelude to the meeting of Chagall with the Simon-Marq workshop in Reims, which will then work with the artist to produce the totality of his stained glass windows.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Chagall conceived his first stained glass windows between 1955 and 1957 for the baptistery of the church Notre-Dame-de-Toute-Grace on the plateau of Assy. This inaugural experience, sustained by Jacques Maritain, was initiated by Father Couturier and Canon Devemy. Carried out with the assistance of the stained glass painter Paul Bony, it was part of the search for overall decoration on an architecture scale, combining ceramic, marble bas-reliefs, and stained glass windows. Based on the analysis of the Marc and Ida Chagall archives and the Paul Bony collection housed in the Archives Nationales du Monde du Travail in Roubaix, the author traces the questioning of the painter and the stained glass painter during the different stages of their creation. The article also examines the probable reasons for the interruption of a remarkable but unique collaboration, prelude to the meeting of Chagall with the Simon-Marq workshop in Reims, which will then work with the artist to produce the totality of his stained glass windows.
author Biezunski, Elia
spellingShingle Biezunski, Elia
Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy
author_facet Biezunski, Elia
author_sort Biezunski, Elia
title Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy
title_short Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy
title_full Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy
title_fullStr Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy
title_full_unstemmed Marc Chagall et Paul Bony : l’expérience inaugurale des vitraux d’Assy
title_sort marc chagall et paul bony : l’expérience inaugurale des vitraux d’assy
publishDate 2021
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-4-page-108?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.214.0108
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