Maurice Denis, en collaboration avec Marcel Poncet, au cœur du vitrail religieux moderne

Maurice Denis (1870-1943) was an artist of multiple talents; painter and theoretician, decorator, illustrator, but also stained glass painter. In nearly fifty years of creation, he realized more than seventy stained glass windows, both civil and religious, making the link between Art Nouveau at the...

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Autore principale: Stahl, Fabienne
Natura: Article ou chapitre numérique
Lingua:Français
Pubblicazione: 2021
Accesso online:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_214_0098RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-4-page-98?lang=fr https://doi.org/10.3917/rda.214.0098 Maurice Denis, en collaboration avec Marcel Poncet, au cœur du vitrail religieux moderne Stahl, Fabienne2021 fre Revue de l'art | 214 | 4 | 2021-12-23 | p. 98-107 | 0035-1326 RDA_21478 Maurice Denis (1870-1943) was an artist of multiple talents; painter and theoretician, decorator, illustrator, but also stained glass painter. In nearly fifty years of creation, he realized more than seventy stained glass windows, both civil and religious, making the link between Art Nouveau at the beginning of his career and the “painters’ stained glass” that rose up in the 1940s. The present study, essentially based on first hand sources, intends to shed light on his collaboration with the young Swiss stained glass painter, Marcel Poncet (1894-1953) that fundamentally transformed his conception of stained glass windows, by allowing him to intimately penetrate the mysteries of this technique. The stained glass windows of the three buildings where they worked in association are analyzed and placed in perspective : the churches in Geneva, Notre Dame (1917) and Saint Paul (1918-1923), and the chapel of Saint Louis du Prieuré in Saint Germain en Laye (1918-1922).Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description Maurice Denis (1870-1943) was an artist of multiple talents; painter and theoretician, decorator, illustrator, but also stained glass painter. In nearly fifty years of creation, he realized more than seventy stained glass windows, both civil and religious, making the link between Art Nouveau at the beginning of his career and the “painters’ stained glass” that rose up in the 1940s. The present study, essentially based on first hand sources, intends to shed light on his collaboration with the young Swiss stained glass painter, Marcel Poncet (1894-1953) that fundamentally transformed his conception of stained glass windows, by allowing him to intimately penetrate the mysteries of this technique. The stained glass windows of the three buildings where they worked in association are analyzed and placed in perspective : the churches in Geneva, Notre Dame (1917) and Saint Paul (1918-1923), and the chapel of Saint Louis du Prieuré in Saint Germain en Laye (1918-1922).
author Stahl, Fabienne
spellingShingle Stahl, Fabienne
Maurice Denis, en collaboration avec Marcel Poncet, au cœur du vitrail religieux moderne
author_facet Stahl, Fabienne
author_sort Stahl, Fabienne
title Maurice Denis, en collaboration avec Marcel Poncet, au cœur du vitrail religieux moderne
title_short Maurice Denis, en collaboration avec Marcel Poncet, au cœur du vitrail religieux moderne
title_full Maurice Denis, en collaboration avec Marcel Poncet, au cœur du vitrail religieux moderne
title_fullStr Maurice Denis, en collaboration avec Marcel Poncet, au cœur du vitrail religieux moderne
title_full_unstemmed Maurice Denis, en collaboration avec Marcel Poncet, au cœur du vitrail religieux moderne
title_sort maurice denis, en collaboration avec marcel poncet, au cœur du vitrail religieux moderne
publishDate 2021
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-4-page-98?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.214.0098
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