Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle

Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle

The stained glass windows in the church of Saint Severin in Paris, conceived concurrently with the successive reorganizations of the building during the second half of the15th century, present the particularity of being able to follow the evolution of an entire pictorial current in one place. A curr...

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Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awdur: Oget, Nicolas
Fformat: Article ou chapitre numérique
Iaith:Français
Cyhoeddwyd: 2021
Mynediad Ar-lein:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RDA_214_0040
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spelling cairn-RDA_214_0040RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-4-page-40?lang=fr https://doi.org/10.3917/rda.214.0040 Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle Oget, Nicolas2021 fre Revue de l'art | 214 | 4 | 2021-12-23 | p. 40-53 | 0035-1326 RDA_21474 The stained glass windows in the church of Saint Severin in Paris, conceived concurrently with the successive reorganizations of the building during the second half of the15th century, present the particularity of being able to follow the evolution of an entire pictorial current in one place. A current that during this same period, played an important part in the Parisian artistic scene. The dialogue that these stained glass windows maintained with other sections of this production for other artistic supports, especially easel painting and manuscript illumination, was such that it invites a second look at the role of the painter responsible for the prototype in the actual realization of the stained glass windows. Continuing in the prolongation of an initial investigation carried out by Nicole Reynaud almost forty years ago, in which the author mainly studied three of the stained glass windows of the choir, this article seeks more specifically to shed light on the stained glass windows in the nave, more problematic, as much from the point of view of their dating as of their conception.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description The stained glass windows in the church of Saint Severin in Paris, conceived concurrently with the successive reorganizations of the building during the second half of the15th century, present the particularity of being able to follow the evolution of an entire pictorial current in one place. A current that during this same period, played an important part in the Parisian artistic scene. The dialogue that these stained glass windows maintained with other sections of this production for other artistic supports, especially easel painting and manuscript illumination, was such that it invites a second look at the role of the painter responsible for the prototype in the actual realization of the stained glass windows. Continuing in the prolongation of an initial investigation carried out by Nicole Reynaud almost forty years ago, in which the author mainly studied three of the stained glass windows of the choir, this article seeks more specifically to shed light on the stained glass windows in the nave, more problematic, as much from the point of view of their dating as of their conception.
author Oget, Nicolas
spellingShingle Oget, Nicolas
Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle
author_facet Oget, Nicolas
author_sort Oget, Nicolas
title Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle
title_short Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle
title_full Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle
title_fullStr Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle
title_full_unstemmed Les vitraux de Saint-Séverin : un écrin pour la peinture à Paris dans la seconde moitié du XVe siècle
title_sort les vitraux de saint-séverin : un écrin pour la peinture à paris dans la seconde moitié du xve siècle
publishDate 2021
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-4-page-40?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.214.0040
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