Le Corpus vitrearum et la recherche sur le vitrail en Allemagne

Le Corpus vitrearum et la recherche sur le vitrail en Allemagne

Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and...

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Yazar: Scholz, Hartmut
Materyal Türü: Article ou chapitre numérique
Dil:Français
Baskı/Yayın Bilgisi: 2021
Online Erişim:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_214_0016RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-4-page-16?lang=fr https://doi.org/10.3917/rda.214.0016 Le Corpus vitrearum et la recherche sur le vitrail en Allemagne Scholz, Hartmut2021 fre Revue de l'art | 214 | 4 | 2021-12-23 | p. 16-21 | 0035-1326 RDA_21471 Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and the brown, red, green and blue inks that can be found in the contemporary manuscripts, this exceptional work can be dated to the end of 1854. It would seem to have been sent to the pianist at the same time as three photographs of the atelier in Jersey, in October 1854. Did Victor Hugo seek to adapt his drawing to the recipient? The initials and the letters of his name that constitute the map open out in an arborescence that recalls that of the rhythmic figures in music. Nevertheless, at the same time, many details of the work also demonstrate the imprint of his exile to Jersey on the banished poet, in his face to face with the ocean, as with his dialogues with the Table during the spiritualist séances at which he had been participating since 1853.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and the brown, red, green and blue inks that can be found in the contemporary manuscripts, this exceptional work can be dated to the end of 1854. It would seem to have been sent to the pianist at the same time as three photographs of the atelier in Jersey, in October 1854. Did Victor Hugo seek to adapt his drawing to the recipient? The initials and the letters of his name that constitute the map open out in an arborescence that recalls that of the rhythmic figures in music. Nevertheless, at the same time, many details of the work also demonstrate the imprint of his exile to Jersey on the banished poet, in his face to face with the ocean, as with his dialogues with the Table during the spiritualist séances at which he had been participating since 1853.
author Scholz, Hartmut
spellingShingle Scholz, Hartmut
Le Corpus vitrearum et la recherche sur le vitrail en Allemagne
author_facet Scholz, Hartmut
author_sort Scholz, Hartmut
title Le Corpus vitrearum et la recherche sur le vitrail en Allemagne
title_short Le Corpus vitrearum et la recherche sur le vitrail en Allemagne
title_full Le Corpus vitrearum et la recherche sur le vitrail en Allemagne
title_fullStr Le Corpus vitrearum et la recherche sur le vitrail en Allemagne
title_full_unstemmed Le Corpus vitrearum et la recherche sur le vitrail en Allemagne
title_sort le corpus vitrearum et la recherche sur le vitrail en allemagne
publishDate 2021
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-4-page-16?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.214.0016
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