Margret Stuffmann (1936-2020)

Margret Stuffmann (1936-2020)

Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and...

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Hoofdauteur: Jobert, Barthélémy
Formaat: Article ou chapitre numérique
Taal:Français
Gepubliceerd in: 2021
Online toegang:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RDA_213_0078
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spelling cairn-RDA_213_0078RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-3-page-78?lang=fr https://doi.org/10.3917/rda.213.0078 Margret Stuffmann (1936-2020) Jobert, Barthélémy2021 fre Revue de l'art | 213 | 3 | 2021-08-23 | p. 78-79 | 0035-1326 RDA_21368 Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and the brown, red, green and blue inks that can be found in the contemporary manuscripts, this exceptional work can be dated to the end of 1854. It would seem to have been sent to the pianist at the same time as three photographs of the atelier in Jersey, in October 1854. Did Victor Hugo seek to adapt his drawing to the recipient? The initials and the letters of his name that constitute the map open out in an arborescence that recalls that of the rhythmic figures in music. Nevertheless, at the same time, many details of the work also demonstrate the imprint of his exile to Jersey on the banished poet, in his face to face with the ocean, as with his dialogues with the Table during the spiritualist séances at which he had been participating since 1853.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and the brown, red, green and blue inks that can be found in the contemporary manuscripts, this exceptional work can be dated to the end of 1854. It would seem to have been sent to the pianist at the same time as three photographs of the atelier in Jersey, in October 1854. Did Victor Hugo seek to adapt his drawing to the recipient? The initials and the letters of his name that constitute the map open out in an arborescence that recalls that of the rhythmic figures in music. Nevertheless, at the same time, many details of the work also demonstrate the imprint of his exile to Jersey on the banished poet, in his face to face with the ocean, as with his dialogues with the Table during the spiritualist séances at which he had been participating since 1853.
author Jobert, Barthélémy
spellingShingle Jobert, Barthélémy
Margret Stuffmann (1936-2020)
author_facet Jobert, Barthélémy
author_sort Jobert, Barthélémy
title Margret Stuffmann (1936-2020)
title_short Margret Stuffmann (1936-2020)
title_full Margret Stuffmann (1936-2020)
title_fullStr Margret Stuffmann (1936-2020)
title_full_unstemmed Margret Stuffmann (1936-2020)
title_sort margret stuffmann (1936-2020)
publishDate 2021
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-3-page-78?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.213.0078
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