L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand

L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand

Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and...

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Hlavní autor: Caron, Sophie
Médium: Article ou chapitre numérique
Jazyk:Français
Vydáno: 2021
On-line přístup:Accès Université d'Orléans et IFPM
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spelling cairn-RDA_213_0068RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-3-page-68?lang=fr https://doi.org/10.3917/rda.213.0068 L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand Caron, Sophie2021 fre Revue de l'art | 213 | 3 | 2021-08-23 | p. 68-77 | 0035-1326 RDA_21367 Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and the brown, red, green and blue inks that can be found in the contemporary manuscripts, this exceptional work can be dated to the end of 1854. It would seem to have been sent to the pianist at the same time as three photographs of the atelier in Jersey, in October 1854. Did Victor Hugo seek to adapt his drawing to the recipient? The initials and the letters of his name that constitute the map open out in an arborescence that recalls that of the rhythmic figures in music. Nevertheless, at the same time, many details of the work also demonstrate the imprint of his exile to Jersey on the banished poet, in his face to face with the ocean, as with his dialogues with the Table during the spiritualist séances at which he had been participating since 1853.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and the brown, red, green and blue inks that can be found in the contemporary manuscripts, this exceptional work can be dated to the end of 1854. It would seem to have been sent to the pianist at the same time as three photographs of the atelier in Jersey, in October 1854. Did Victor Hugo seek to adapt his drawing to the recipient? The initials and the letters of his name that constitute the map open out in an arborescence that recalls that of the rhythmic figures in music. Nevertheless, at the same time, many details of the work also demonstrate the imprint of his exile to Jersey on the banished poet, in his face to face with the ocean, as with his dialogues with the Table during the spiritualist séances at which he had been participating since 1853.
author Caron, Sophie
spellingShingle Caron, Sophie
L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand
author_facet Caron, Sophie
author_sort Caron, Sophie
title L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand
title_short L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand
title_full L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand
title_fullStr L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand
title_full_unstemmed L’exposition Van Eyck à Gand : une étape dans l’épopée de la restauration du retable de Gand
title_sort l’exposition van eyck à gand : une étape dans l’épopée de la restauration du retable de gand
publishDate 2021
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-3-page-68?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.213.0068
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