À Weimar, découverte d’un dessin inédit de Victor Hugo : un rébus musical pour Franz Liszt ?

Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and...

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Auteurs principaux: Mildenberger, Hermann, Prévost, Marie-Laure
Format: Article ou chapitre numérique
Langue:Français
Publié: 2021
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_213_0052RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-3-page-52?lang=fr https://doi.org/10.3917/rda.213.0052 À Weimar, découverte d’un dessin inédit de Victor Hugo : un rébus musical pour Franz Liszt ? Mildenberger, HermannPrévost, Marie-Laure2021 fre Revue de l'art | 213 | 3 | 2021-08-23 | p. 52-63 | 0035-1326 RDA_21365 Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and the brown, red, green and blue inks that can be found in the contemporary manuscripts, this exceptional work can be dated to the end of 1854. It would seem to have been sent to the pianist at the same time as three photographs of the atelier in Jersey, in October 1854. Did Victor Hugo seek to adapt his drawing to the recipient? The initials and the letters of his name that constitute the map open out in an arborescence that recalls that of the rhythmic figures in music. Nevertheless, at the same time, many details of the work also demonstrate the imprint of his exile to Jersey on the banished poet, in his face to face with the ocean, as with his dialogues with the Table during the spiritualist séances at which he had been participating since 1853.Cairn free access
language Français
format Article ou chapitre numérique
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description Among the Franz Liszt memorabilia preserved in the Klassik Stiftung Weimar Museen, one of the “visiting cards” that Victor Hugo sent to his friends during his exile has recently been identified by the German author of this article. Mainly drawn by the poet using his writer’s paraphernalia: pen, and the brown, red, green and blue inks that can be found in the contemporary manuscripts, this exceptional work can be dated to the end of 1854. It would seem to have been sent to the pianist at the same time as three photographs of the atelier in Jersey, in October 1854. Did Victor Hugo seek to adapt his drawing to the recipient? The initials and the letters of his name that constitute the map open out in an arborescence that recalls that of the rhythmic figures in music. Nevertheless, at the same time, many details of the work also demonstrate the imprint of his exile to Jersey on the banished poet, in his face to face with the ocean, as with his dialogues with the Table during the spiritualist séances at which he had been participating since 1853.
author Mildenberger, Hermann
Prévost, Marie-Laure
spellingShingle Mildenberger, Hermann
Prévost, Marie-Laure
À Weimar, découverte d’un dessin inédit de Victor Hugo : un rébus musical pour Franz Liszt ?
author_facet Mildenberger, Hermann
Prévost, Marie-Laure
author_sort Mildenberger, Hermann
title À Weimar, découverte d’un dessin inédit de Victor Hugo : un rébus musical pour Franz Liszt ?
title_short À Weimar, découverte d’un dessin inédit de Victor Hugo : un rébus musical pour Franz Liszt ?
title_full À Weimar, découverte d’un dessin inédit de Victor Hugo : un rébus musical pour Franz Liszt ?
title_fullStr À Weimar, découverte d’un dessin inédit de Victor Hugo : un rébus musical pour Franz Liszt ?
title_full_unstemmed À Weimar, découverte d’un dessin inédit de Victor Hugo : un rébus musical pour Franz Liszt ?
title_sort à weimar, découverte d’un dessin inédit de victor hugo : un rébus musical pour franz liszt ?
publishDate 2021
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-3-page-52?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.213.0052
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