Les hôtels de l’Impératrice Eugénie à Paris : des lieux où s’exprimer
Empress Eugénie was a significant patron of architecture whose accomplishments included two private residences that she owned consecutively in Paris and which have previously been misunderstood. The residences enabled Eugénie to provide family and friends with accommodations for extended periods of...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_213_0032RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-3-page-32?lang=fr https://doi.org/10.3917/rda.213.0032 Les hôtels de l’Impératrice Eugénie à Paris : des lieux où s’exprimer McQueen, Alison2021 fre Revue de l'art | 213 | 3 | 2021-08-23 | p. 32-51 | 0035-1326 RDA_21364 Empress Eugénie was a significant patron of architecture whose accomplishments included two private residences that she owned consecutively in Paris and which have previously been misunderstood. The residences enabled Eugénie to provide family and friends with accommodations for extended periods of time. They also became venues where she articulated her agency through the interior decoration she commissioned and by the manner in which she installed her art collection. The residences evolved as spaces through which Eugénie interpreted and expressed her positional perspective and thus they offer an important means to understand her subjectivity. Any attempt to define a particular taste for Eugénie must, however, account for the intersection of her values as an individual and the demands of her role, her career as empress. As a patron, she consistently manifested a profound commitment to fulfilling her personal and professional responsibilities. From the time of her marriage in 1853 up until her death in 1920, Eugénie successfully negotiated within the complex Bonaparte family institution and the shifting politics of successive French governments.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Empress Eugénie was a significant patron of architecture whose accomplishments included two private residences that she owned consecutively in Paris and which have previously been misunderstood. The residences enabled Eugénie to provide family and friends with accommodations for extended periods of time. They also became venues where she articulated her agency through the interior decoration she commissioned and by the manner in which she installed her art collection. The residences evolved as spaces through which Eugénie interpreted and expressed her positional perspective and thus they offer an important means to understand her subjectivity. Any attempt to define a particular taste for Eugénie must, however, account for the intersection of her values as an individual and the demands of her role, her career as empress. As a patron, she consistently manifested a profound commitment to fulfilling her personal and professional responsibilities. From the time of her marriage in 1853 up until her death in 1920, Eugénie successfully negotiated within the complex Bonaparte family institution and the shifting politics of successive French governments. |
| author |
McQueen, Alison |
| spellingShingle |
McQueen, Alison Les hôtels de l’Impératrice Eugénie à Paris : des lieux où s’exprimer |
| author_facet |
McQueen, Alison |
| author_sort |
McQueen, Alison |
| title |
Les hôtels de l’Impératrice Eugénie à Paris : des lieux où s’exprimer |
| title_short |
Les hôtels de l’Impératrice Eugénie à Paris : des lieux où s’exprimer |
| title_full |
Les hôtels de l’Impératrice Eugénie à Paris : des lieux où s’exprimer |
| title_fullStr |
Les hôtels de l’Impératrice Eugénie à Paris : des lieux où s’exprimer |
| title_full_unstemmed |
Les hôtels de l’Impératrice Eugénie à Paris : des lieux où s’exprimer |
| title_sort |
les hôtels de l’impératrice eugénie à paris : des lieux où s’exprimer |
| publishDate |
2021 |
| container_title |
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| container_issue |
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https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-3-page-32?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.213.0032 |
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