Un tableau bohémien et la cour de Charles IV à Prague
In November 2019, the Metropolitan Museum of Art acquired, at public auction in France, an extremely rare Bohemian painting from the fourteenth century. A small-scale devotional picture of the Virgin and Child enthroned, probably dating from the 1340s, it has been associated by a leading scholar of...
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| Format: | Article ou chapitre numérique |
| Język: | Français |
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2021
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| Dostęp online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_213_0008RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-3-page-8?lang=fr https://doi.org/10.3917/rda.213.0008 Un tableau bohémien et la cour de Charles IV à Prague Christiansen, Keith2021 fre Revue de l'art | 213 | 3 | 2021-08-23 | p. 8-19 | 0035-1326 RDA_21362 In November 2019, the Metropolitan Museum of Art acquired, at public auction in France, an extremely rare Bohemian painting from the fourteenth century. A small-scale devotional picture of the Virgin and Child enthroned, probably dating from the 1340s, it has been associated by a leading scholar of the field with a series of panels often considered the keystone of the opening chapter of Bohemian painting. However, removal of the overpainted background has revealed an architectural setting of exceptional complexity and spatial consistency, indicating an artist of enormous talent and originality who must have had direct contact not only with French painting but with the most advanced ideas of Italian art. The stylistic choices evident in it reflect the cultural interests of Charles IV and the key figures of his court in Prague.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
In November 2019, the Metropolitan Museum of Art acquired, at public auction in France, an extremely rare Bohemian painting from the fourteenth century. A small-scale devotional picture of the Virgin and Child enthroned, probably dating from the 1340s, it has been associated by a leading scholar of the field with a series of panels often considered the keystone of the opening chapter of Bohemian painting.
However, removal of the overpainted background has revealed an architectural setting of exceptional complexity and spatial consistency, indicating an artist of enormous talent and originality who must have had direct contact not only with French painting but with the most advanced ideas of Italian art. The stylistic choices evident in it reflect the cultural interests of Charles IV and the key figures of his court in Prague. |
| author |
Christiansen, Keith |
| spellingShingle |
Christiansen, Keith Un tableau bohémien et la cour de Charles IV à Prague |
| author_facet |
Christiansen, Keith |
| author_sort |
Christiansen, Keith |
| title |
Un tableau bohémien et la cour de Charles IV à Prague |
| title_short |
Un tableau bohémien et la cour de Charles IV à Prague |
| title_full |
Un tableau bohémien et la cour de Charles IV à Prague |
| title_fullStr |
Un tableau bohémien et la cour de Charles IV à Prague |
| title_full_unstemmed |
Un tableau bohémien et la cour de Charles IV à Prague |
| title_sort |
un tableau bohémien et la cour de charles iv à prague |
| publishDate |
2021 |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-3-page-8?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.213.0008 |
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