Marc Fumaroli (1932-2020)

Marc Fumaroli (1932-2020)

Apart from the monumental decoration of the vault in the Trinity Chapel in the Chateau of Fontainebleau, the painted works by Martin Fréminet amount to a few religious paintings that can be counted on the fingers of a single hand. This study proposes the addition of a Virgin and Child with the Youn...

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Auteur principal: Mérot, Alain
Format: Article ou chapitre numérique
Langue:Français
Publié: 2021
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_211_0080RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-1-page-80?lang=fr https://doi.org/10.3917/rda.211.0080 Marc Fumaroli (1932-2020) Mérot, Alain2021 fre Revue de l'art | 211 | 1 | 2021-02-23 | p. 80-81 | 0035-1326 RDA_21146 Apart from the monumental decoration of the vault in the Trinity Chapel in the Chateau of Fontainebleau, the painted works by Martin Fréminet amount to a few religious paintings that can be counted on the fingers of a single hand. This study proposes the addition of a Virgin and Child with the Young Saint John preserved since the beginning of the 17th century on a pillar in the Church of Notre Dame du Sablon in Brussels, which, at the start of the artist’s Parisian career, around 1605, could be an echo of the painting Fréminet made for Saint Louis des Français in Rome in the last decade of the 16th century, lost today, but celebrated in its own time by Giulio Mancini. This new hypothesis reveals an interesting kinship between Fréminet’s art and that of his contemporary from Antwerp Abraham Janssens, trained in Rome during the same years as Fréminet and to whom Joost vander Auwera preferred to attribute the painting.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Apart from the monumental decoration of the vault in the Trinity Chapel in the Chateau of Fontainebleau, the painted works by Martin Fréminet amount to a few religious paintings that can be counted on the fingers of a single hand. This study proposes the addition of a Virgin and Child with the Young Saint John preserved since the beginning of the 17th century on a pillar in the Church of Notre Dame du Sablon in Brussels, which, at the start of the artist’s Parisian career, around 1605, could be an echo of the painting Fréminet made for Saint Louis des Français in Rome in the last decade of the 16th century, lost today, but celebrated in its own time by Giulio Mancini. This new hypothesis reveals an interesting kinship between Fréminet’s art and that of his contemporary from Antwerp Abraham Janssens, trained in Rome during the same years as Fréminet and to whom Joost vander Auwera preferred to attribute the painting.
author Mérot, Alain
spellingShingle Mérot, Alain
Marc Fumaroli (1932-2020)
author_facet Mérot, Alain
author_sort Mérot, Alain
title Marc Fumaroli (1932-2020)
title_short Marc Fumaroli (1932-2020)
title_full Marc Fumaroli (1932-2020)
title_fullStr Marc Fumaroli (1932-2020)
title_full_unstemmed Marc Fumaroli (1932-2020)
title_sort marc fumaroli (1932-2020)
publishDate 2021
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-1-page-80?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.211.0080
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