Un tableau de Martin Fréminet à Bruxelles ?

Un tableau de Martin Fréminet à Bruxelles ?

Apart from the monumental decoration of the vault in the Trinity Chapel in the Chateau of Fontainebleau, the painted works by Martin Fréminet amount to a few religious paintings that can be counted on the fingers of a single hand. This study proposes the addition of a Virgin and Child with the Youn...

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Hlavní autor: Scailliérez, Cécile
Médium: Article ou chapitre numérique
Jazyk:Français
Vydáno: 2021
On-line přístup:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_211_0072RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2021-1-page-72?lang=fr https://doi.org/10.3917/rda.211.0072 Un tableau de Martin Fréminet à Bruxelles ? Scailliérez, Cécile2021 fre Revue de l'art | 211 | 1 | 2021-02-23 | p. 72-79 | 0035-1326 RDA_21145 Apart from the monumental decoration of the vault in the Trinity Chapel in the Chateau of Fontainebleau, the painted works by Martin Fréminet amount to a few religious paintings that can be counted on the fingers of a single hand. This study proposes the addition of a Virgin and Child with the Young Saint John preserved since the beginning of the 17th century on a pillar in the Church of Notre Dame du Sablon in Brussels, which, at the start of the artist’s Parisian career, around 1605, could be an echo of the painting Fréminet made for Saint Louis des Français in Rome in the last decade of the 16th century, lost today, but celebrated in its own time by Giulio Mancini. This new hypothesis reveals an interesting kinship between Fréminet’s art and that of his contemporary from Antwerp Abraham Janssens, trained in Rome during the same years as Fréminet and to whom Joost vander Auwera preferred to attribute the painting.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Apart from the monumental decoration of the vault in the Trinity Chapel in the Chateau of Fontainebleau, the painted works by Martin Fréminet amount to a few religious paintings that can be counted on the fingers of a single hand. This study proposes the addition of a Virgin and Child with the Young Saint John preserved since the beginning of the 17th century on a pillar in the Church of Notre Dame du Sablon in Brussels, which, at the start of the artist’s Parisian career, around 1605, could be an echo of the painting Fréminet made for Saint Louis des Français in Rome in the last decade of the 16th century, lost today, but celebrated in its own time by Giulio Mancini. This new hypothesis reveals an interesting kinship between Fréminet’s art and that of his contemporary from Antwerp Abraham Janssens, trained in Rome during the same years as Fréminet and to whom Joost vander Auwera preferred to attribute the painting.
author Scailliérez, Cécile
spellingShingle Scailliérez, Cécile
Un tableau de Martin Fréminet à Bruxelles ?
author_facet Scailliérez, Cécile
author_sort Scailliérez, Cécile
title Un tableau de Martin Fréminet à Bruxelles ?
title_short Un tableau de Martin Fréminet à Bruxelles ?
title_full Un tableau de Martin Fréminet à Bruxelles ?
title_fullStr Un tableau de Martin Fréminet à Bruxelles ?
title_full_unstemmed Un tableau de Martin Fréminet à Bruxelles ?
title_sort un tableau de martin fréminet à bruxelles ?
publishDate 2021
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2021-1-page-72?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.211.0072
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