De Fragonard à Vincent, une postface

This is an article in response to the piece by Marie-Anne Dupuy-Vachey, “Fragonard et le Pastel: Nouvelles Contributions à la Connaissance du Portraitiste,” that appeared in the Revue de l’Art, no. 205/2019-3, pp. 61-73. It published, under the name of Jean-Honoré Fragonard (1732-1806), a series of...

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Auteur principal: Cuzin, Jean-Pierre
Format: Article ou chapitre numérique
Langue:Français
Publié: 2020
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_209_0071RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2020-3-page-71?lang=fr https://doi.org/10.3917/rda.209.0071 De Fragonard à Vincent, une postface Cuzin, Jean-Pierre2020 fre Revue de l'art | 209 | 3 | 2020-09-23 | p. 71-76 | 0035-1326 RDA_20926 This is an article in response to the piece by Marie-Anne Dupuy-Vachey, “Fragonard et le Pastel: Nouvelles Contributions à la Connaissance du Portraitiste,” that appeared in the Revue de l’Art, no. 205/2019-3, pp. 61-73. It published, under the name of Jean-Honoré Fragonard (1732-1806), a series of fourteen portraits drawings, in relation to the illustration of the Histoire de la Maison de Bourbon de Desormeaux that has since entered into the collections of the Louvre. The author rejects this attribution and argues, on the basis of stylistic comparisons, in favor of François-André Vincent (1746-1816), who was also involved in the illustration of this same work. It is considered that nine of the portraits are by Vincent, and that the five others, different in quality and in their conception, are anonymous copies of projects by Fragonard.Cairn free access
language Français
format Article ou chapitre numérique
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description This is an article in response to the piece by Marie-Anne Dupuy-Vachey, “Fragonard et le Pastel: Nouvelles Contributions à la Connaissance du Portraitiste,” that appeared in the Revue de l’Art, no. 205/2019-3, pp. 61-73. It published, under the name of Jean-Honoré Fragonard (1732-1806), a series of fourteen portraits drawings, in relation to the illustration of the Histoire de la Maison de Bourbon de Desormeaux that has since entered into the collections of the Louvre. The author rejects this attribution and argues, on the basis of stylistic comparisons, in favor of François-André Vincent (1746-1816), who was also involved in the illustration of this same work. It is considered that nine of the portraits are by Vincent, and that the five others, different in quality and in their conception, are anonymous copies of projects by Fragonard.
author Cuzin, Jean-Pierre
spellingShingle Cuzin, Jean-Pierre
De Fragonard à Vincent, une postface
author_facet Cuzin, Jean-Pierre
author_sort Cuzin, Jean-Pierre
title De Fragonard à Vincent, une postface
title_short De Fragonard à Vincent, une postface
title_full De Fragonard à Vincent, une postface
title_fullStr De Fragonard à Vincent, une postface
title_full_unstemmed De Fragonard à Vincent, une postface
title_sort de fragonard à vincent, une postface
publishDate 2020
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2020-3-page-71?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.209.0071
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