Dominique Cardon : Des couleurs pour les lumières, Antoine Janot, teinturier occitan 1700-1778. Paris : CNRS Édition, 2019, 221p.
In his article, « Der moderne Denkmalkultus. Sein Wesen und seine Entstehung. » (The Modern Cult of Monuments, its Nature and its Origins) published in 1903, Alois Riegl developed his finely dialectic concept of the values that can be attributed to a monument, erected as such or having become such o...
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| Formato: | Article ou chapitre numérique |
| Lenguaje: | Français |
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2020
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_208_0075dRDARevue de l'art https://shs.cairn.info/revue-de-l-art-2020-2-page-75d?lang=fr https://doi.org/10.3917/rda.208.0075d Dominique Cardon : Des couleurs pour les lumières, Antoine Janot, teinturier occitan 1700-1778. Paris : CNRS Édition, 2019, 221p. Laks, Deborah2020 fre Revue de l'art | 208 | 2 | 2020-05-23 | p. 75d-78d | 0035-1326 RDA_20817 In his article, « Der moderne Denkmalkultus. Sein Wesen und seine Entstehung. » (The Modern Cult of Monuments, its Nature and its Origins) published in 1903, Alois Riegl developed his finely dialectic concept of the values that can be attributed to a monument, erected as such or having become such over time. In this article, accent is given to the continuous presentification of values in all judgment, tied to a constantly advancing present. Any present, marked by its own antagonisms, will see disagreements around the possible values attributable to a monument. Thus is introduced here the notion of an adversarial value or of a confrontation: the disagreement over the monument articulates a contemporary disagreement that becomes negotiable in the context of a heritage debate.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
In his article, « Der moderne Denkmalkultus. Sein Wesen und seine Entstehung. » (The Modern Cult of Monuments, its Nature and its Origins) published in 1903, Alois Riegl developed his finely dialectic concept of the values that can be attributed to a monument, erected as such or having become such over time. In this article, accent is given to the continuous presentification of values in all judgment, tied to a constantly advancing present. Any present, marked by its own antagonisms, will see disagreements around the possible values attributable to a monument. Thus is introduced here the notion of an adversarial value or of a confrontation: the disagreement over the monument articulates a contemporary disagreement that becomes negotiable in the context of a heritage debate. |
| author |
Laks, Deborah |
| spellingShingle |
Laks, Deborah Dominique Cardon : Des couleurs pour les lumières, Antoine Janot, teinturier occitan 1700-1778. Paris : CNRS Édition, 2019, 221p. |
| author_facet |
Laks, Deborah |
| author_sort |
Laks, Deborah |
| title |
Dominique Cardon : Des couleurs pour les lumières, Antoine Janot, teinturier occitan 1700-1778. Paris : CNRS Édition, 2019, 221p. |
| title_short |
Dominique Cardon : Des couleurs pour les lumières, Antoine Janot, teinturier occitan 1700-1778. Paris : CNRS Édition, 2019, 221p. |
| title_full |
Dominique Cardon : Des couleurs pour les lumières, Antoine Janot, teinturier occitan 1700-1778. Paris : CNRS Édition, 2019, 221p. |
| title_fullStr |
Dominique Cardon : Des couleurs pour les lumières, Antoine Janot, teinturier occitan 1700-1778. Paris : CNRS Édition, 2019, 221p. |
| title_full_unstemmed |
Dominique Cardon : Des couleurs pour les lumières, Antoine Janot, teinturier occitan 1700-1778. Paris : CNRS Édition, 2019, 221p. |
| title_sort |
dominique cardon : des couleurs pour les lumières, antoine janot, teinturier occitan 1700-1778. paris : cnrs édition, 2019, 221p. |
| publishDate |
2020 |
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https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2020-2-page-75d?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.208.0075d |
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