La Terre au lieu de La Méditation

La Terre au lieu de La Méditation

In 1897 Rodin sent a plaster to the international exhibition organized in Stockholm. Based on a letter from the artist, this plaster has always been identified as La Voix Intérieure ( The Interior Voice) or Meditation. But it had never been found, until, in 2018, in the reserves of the Nationalmus...

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Auteurs principaux: Hinners, Linda, Le Normand-Romain, Antoinette
Format: Article ou chapitre numérique
Langue:Français
Publié: 2020
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_208_0055RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2020-2-page-55?lang=fr https://doi.org/10.3917/rda.208.0055 La Terre au lieu de La Méditation Hinners, LindaLe Normand-Romain, Antoinette2020 fre Revue de l'art | 208 | 2 | 2020-05-23 | p. 55-64 | 0035-1326 RDA_20812 In 1897 Rodin sent a plaster to the international exhibition organized in Stockholm. Based on a letter from the artist, this plaster has always been identified as La Voix Intérieure ( The Interior Voice) or Meditation. But it had never been found, until, in 2018, in the reserves of the Nationalmuseum, a proof of La Terre (The Earth) was discovered. This work was also part of the group of partial figures in which Rodin confirmed the new direction that his research was taking in the mid-1890s. Rereading archival documents demonstrates that the organizers of the exhibition that took place this same year 1897 in Dresden wanted La Voix Intérieure. As a wise strategist, anxious to not disappoint his admirers, and also desiring to publicize his recent works, Rodin probably decided at the last moment, and without warning anyone, to replace La Voix Intérieure by La Terre, which was slightly earlier. This article sheds light on Rodin’s working methods and strategy, based on the example of the reception of this plaster in Sweden.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description In 1897 Rodin sent a plaster to the international exhibition organized in Stockholm. Based on a letter from the artist, this plaster has always been identified as La Voix Intérieure ( The Interior Voice) or Meditation. But it had never been found, until, in 2018, in the reserves of the Nationalmuseum, a proof of La Terre (The Earth) was discovered. This work was also part of the group of partial figures in which Rodin confirmed the new direction that his research was taking in the mid-1890s. Rereading archival documents demonstrates that the organizers of the exhibition that took place this same year 1897 in Dresden wanted La Voix Intérieure. As a wise strategist, anxious to not disappoint his admirers, and also desiring to publicize his recent works, Rodin probably decided at the last moment, and without warning anyone, to replace La Voix Intérieure by La Terre, which was slightly earlier. This article sheds light on Rodin’s working methods and strategy, based on the example of the reception of this plaster in Sweden.
author Hinners, Linda
Le Normand-Romain, Antoinette
spellingShingle Hinners, Linda
Le Normand-Romain, Antoinette
La Terre au lieu de La Méditation
author_facet Hinners, Linda
Le Normand-Romain, Antoinette
author_sort Hinners, Linda
title La Terre au lieu de La Méditation
title_short La Terre au lieu de La Méditation
title_full La Terre au lieu de La Méditation
title_fullStr La Terre au lieu de La Méditation
title_full_unstemmed La Terre au lieu de La Méditation
title_sort la terre au lieu de la méditation
publishDate 2020
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2020-2-page-55?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.208.0055
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