Jean Beugier, alias le Maître des Portraits princiers

Jean Beugier, alias le Maître des Portraits princiers

This paper suggests that the puy painted in Amiens in 1500 and kept in Amiens Musée de Picardie, is a complex celebration of Louis XII’s conquest of Milan. It highlights the painter’s technical skills like group portrait composition and multiple colour glazes over gold leaf. The painting can be ascr...

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Autor principal: Deprouw-Augustin, Stéphanie
Format: Article ou chapitre numérique
Idioma:Français
Publicat: 2020
Accés en línia:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RDA_208_0017
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spelling cairn-RDA_208_0017RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2020-2-page-17?lang=fr https://doi.org/10.3917/rda.208.0017 Jean Beugier, alias le Maître des Portraits princiers Deprouw-Augustin, Stéphanie2020 fre Revue de l'art | 208 | 2 | 2020-05-23 | p. 17-29 | 0035-1326 RDA_2089 This paper suggests that the puy painted in Amiens in 1500 and kept in Amiens Musée de Picardie, is a complex celebration of Louis XII’s conquest of Milan. It highlights the painter’s technical skills like group portrait composition and multiple colour glazes over gold leaf. The painting can be ascribed to the Master of the Princely Portraits, whose name is revealed here: Jean Beugier, a painter and illuminator active both in Brussels and Amiens from 1468 to 1505. His initials IB or his monogram appear on two panels from the Louvre Museum in Paris and Museum Boijmans van Beuningen, Rotterdam. Using both archival material and stylistic evidence, the author discusses the artist’s connexions with the van der Stockt family in Brussels. The Master of the Legend of Saint Catherine may be identified with painter Vrancke van der Stockt while the Master of the Legend of the Magdalen must be his son, Bernard van der Stockt. For chronological reasons it is still difficult to judge whether the illuminator known as Master of Jacques de Rambures might be identified with Jean Beugier’s father, Pierre Beugier, deceased in 1479.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This paper suggests that the puy painted in Amiens in 1500 and kept in Amiens Musée de Picardie, is a complex celebration of Louis XII’s conquest of Milan. It highlights the painter’s technical skills like group portrait composition and multiple colour glazes over gold leaf. The painting can be ascribed to the Master of the Princely Portraits, whose name is revealed here: Jean Beugier, a painter and illuminator active both in Brussels and Amiens from 1468 to 1505. His initials IB or his monogram appear on two panels from the Louvre Museum in Paris and Museum Boijmans van Beuningen, Rotterdam. Using both archival material and stylistic evidence, the author discusses the artist’s connexions with the van der Stockt family in Brussels. The Master of the Legend of Saint Catherine may be identified with painter Vrancke van der Stockt while the Master of the Legend of the Magdalen must be his son, Bernard van der Stockt. For chronological reasons it is still difficult to judge whether the illuminator known as Master of Jacques de Rambures might be identified with Jean Beugier’s father, Pierre Beugier, deceased in 1479.
author Deprouw-Augustin, Stéphanie
spellingShingle Deprouw-Augustin, Stéphanie
Jean Beugier, alias le Maître des Portraits princiers
author_facet Deprouw-Augustin, Stéphanie
author_sort Deprouw-Augustin, Stéphanie
title Jean Beugier, alias le Maître des Portraits princiers
title_short Jean Beugier, alias le Maître des Portraits princiers
title_full Jean Beugier, alias le Maître des Portraits princiers
title_fullStr Jean Beugier, alias le Maître des Portraits princiers
title_full_unstemmed Jean Beugier, alias le Maître des Portraits princiers
title_sort jean beugier, alias le maître des portraits princiers
publishDate 2020
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2020-2-page-17?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.208.0017
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