Trompe-l’œil et monnaie de singe : les artistes et les premiers billets
At the end of the 19th century, the European tradition of trompe-l’œil met with a new destiny in the United States. Painters, active on the East Coast – the most urbanized region, where the movement of money was the most considerable – turned to money as their exclusive subject. In this case, not co...
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| Format: | Article ou chapitre numérique |
| Sprache: | Français |
| Veröffentlicht: |
2019
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |