Genèse du décor Chasse et Pêche : du théâtre au papier peint

Genèse du décor Chasse et Pêche : du théâtre au papier peint

Amédée Couder (1800-1864) is considered as having been the first artist to have opened an office for “drawing for the manufactures” beginning in 1830. One of his letters, addressed to a newspaper director and published in 1857, offers a new perception of the functioning of such an office. This docum...

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Auteur principal: Luneau, Jean-François
Format: Article ou chapitre numérique
Langue:Français
Publié: 2019
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RDA_204_0051
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spelling cairn-RDA_204_0051RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2019-2-page-51?lang=fr https://doi.org/10.3917/rda.204.0051 Genèse du décor Chasse et Pêche : du théâtre au papier peint Luneau, Jean-François2019 fre Revue de l'art | 204 | 2 | 2019-10-26 | p. 51-58 | 0035-1326 RDA_20474 Amédée Couder (1800-1864) is considered as having been the first artist to have opened an office for “drawing for the manufactures” beginning in 1830. One of his letters, addressed to a newspaper director and published in 1857, offers a new perception of the functioning of such an office. This document also provides first rate information on the role played by Couder in the creation of the “decorations” of wallpaper during the decade of the 1830s, and allows us to attribute to him the paternity of the decoration Chasse et Pêche edited by the Lapeyre company, and considered as “the chef d’œuvre of its kind.” Finally, this letter bears first hand witness to the stylistic mutation taking place in the decorative arts after 1830, when the neo-Classic style give way to neo-Renaissance or more generally eclectic explorations.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Amédée Couder (1800-1864) is considered as having been the first artist to have opened an office for “drawing for the manufactures” beginning in 1830. One of his letters, addressed to a newspaper director and published in 1857, offers a new perception of the functioning of such an office. This document also provides first rate information on the role played by Couder in the creation of the “decorations” of wallpaper during the decade of the 1830s, and allows us to attribute to him the paternity of the decoration Chasse et Pêche edited by the Lapeyre company, and considered as “the chef d’œuvre of its kind.” Finally, this letter bears first hand witness to the stylistic mutation taking place in the decorative arts after 1830, when the neo-Classic style give way to neo-Renaissance or more generally eclectic explorations.
author Luneau, Jean-François
spellingShingle Luneau, Jean-François
Genèse du décor Chasse et Pêche : du théâtre au papier peint
author_facet Luneau, Jean-François
author_sort Luneau, Jean-François
title Genèse du décor Chasse et Pêche : du théâtre au papier peint
title_short Genèse du décor Chasse et Pêche : du théâtre au papier peint
title_full Genèse du décor Chasse et Pêche : du théâtre au papier peint
title_fullStr Genèse du décor Chasse et Pêche : du théâtre au papier peint
title_full_unstemmed Genèse du décor Chasse et Pêche : du théâtre au papier peint
title_sort genèse du décor chasse et pêche : du théâtre au papier peint
publishDate 2019
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2019-2-page-51?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.204.0051
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