Géricault et les écuries impériales
The portraits of horses painted by Géricault at the beginning of his career are well known, but the identity of their models and the circumstances of their realization still remain to be studied. For most of these artworks, the sources indicate that the painter frequented the imperial stables in Ver...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2019
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_203_0041 |
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cairn-RDA_203_0041RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2019-1-page-41?lang=fr https://doi.org/10.3917/rda.203.0041 Géricault et les écuries impériales Vial, Charles-Éloi2019 fre Revue de l'art | 203 | 1 | 2019-09-26 | p. 41-45 | 0035-1326 RDA_20363 The portraits of horses painted by Géricault at the beginning of his career are well known, but the identity of their models and the circumstances of their realization still remain to be studied. For most of these artworks, the sources indicate that the painter frequented the imperial stables in Versailles, without further precision. The architectural elements, the harnesses, the physical appearance of the animals and the riders’ costumes nevertheless allow the reconstitution of Géricault’s peregrinations between the different stables belonging to the Tuileries Court or to the Garde Impériale, where he could spend time with other painters at the same epoch.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
The portraits of horses painted by Géricault at the beginning of his career are well known, but the identity of their models and the circumstances of their realization still remain to be studied. For most of these artworks, the sources indicate that the painter frequented the imperial stables in Versailles, without further precision. The architectural elements, the harnesses, the physical appearance of the animals and the riders’ costumes nevertheless allow the reconstitution of Géricault’s peregrinations between the different stables belonging to the Tuileries Court or to the Garde Impériale, where he could spend time with other painters at the same epoch. |
| author |
Vial, Charles-Éloi |
| spellingShingle |
Vial, Charles-Éloi Géricault et les écuries impériales |
| author_facet |
Vial, Charles-Éloi |
| author_sort |
Vial, Charles-Éloi |
| title |
Géricault et les écuries impériales |
| title_short |
Géricault et les écuries impériales |
| title_full |
Géricault et les écuries impériales |
| title_fullStr |
Géricault et les écuries impériales |
| title_full_unstemmed |
Géricault et les écuries impériales |
| title_sort |
géricault et les écuries impériales |
| publishDate |
2019 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2019-1-page-41?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.203.0041 |
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