Medarbejdervisning: Carlo Ginzburg avec Laurence Bertrand Dorléac

Carlo Ginzburg avec Laurence Bertrand Dorléac

When Balthus’private archives were deposited at the Musée Cantonal des Beaux Arts in Lausanne, his atelier yielded a last mystery: a series of preparatory photographs that were used as sketches for a large landscape painted in the beginning of the 1940s, Le Gottéron. Five years after the discovery...

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Auteurs principaux:	Ginzburg, Carlo, Bertrand-Dorléac, Laurence, Lambert, Geneviève
Format:	Article ou chapitre numérique
Sprog:	Français
Udgivet:	2018
Online adgang:	Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM

id	cairn-RDA_202_0037
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spelling	cairn-RDA_202_0037RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2018-4-page-37?lang=fr https://doi.org/10.3917/rda.202.0037 Carlo Ginzburg avec Laurence Bertrand Dorléac Ginzburg, CarloBertrand-Dorléac, LaurenceLambert, Geneviève2018 fre Revue de l'art \| 202 \| 4 \| 2018-12-26 \| p. 37-39 \| 0035-1326 RDA_20252 When Balthus’private archives were deposited at the Musée Cantonal des Beaux Arts in Lausanne, his atelier yielded a last mystery: a series of preparatory photographs that were used as sketches for a large landscape painted in the beginning of the 1940s, Le Gottéron. Five years after the discovery of the very numerous polaroids from his last years of creation, this new body leads to rethinking the rapports of the painter with photography. The camera visibly integrated the Balthusian palette well before the incapacity of the body to draw, which tends to challenge the commonly accepted assumption of its purely late and palliative use. Distant from the motif of the young girl associated with Balthus, these photographic notes also translate the importance of landscape in the work and its function as a formal laboratory. This article will thus deal with the twists and turns of the work focusing on an almost unknown medium and a less studied pictorial type. It opens a new analysis of the artist’s creative process, documented through numerous photographs and at the origin of a photographic esthetic. In 1943, the shooting device that will preside over the images of the 1990s is already in place.Cairn free access
language	Français
format	Article ou chapitre numérique
building	0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/
description	When Balthus’private archives were deposited at the Musée Cantonal des Beaux Arts in Lausanne, his atelier yielded a last mystery: a series of preparatory photographs that were used as sketches for a large landscape painted in the beginning of the 1940s, Le Gottéron. Five years after the discovery of the very numerous polaroids from his last years of creation, this new body leads to rethinking the rapports of the painter with photography. The camera visibly integrated the Balthusian palette well before the incapacity of the body to draw, which tends to challenge the commonly accepted assumption of its purely late and palliative use. Distant from the motif of the young girl associated with Balthus, these photographic notes also translate the importance of landscape in the work and its function as a formal laboratory. This article will thus deal with the twists and turns of the work focusing on an almost unknown medium and a less studied pictorial type. It opens a new analysis of the artist’s creative process, documented through numerous photographs and at the origin of a photographic esthetic. In 1943, the shooting device that will preside over the images of the 1990s is already in place.
author	Ginzburg, Carlo Bertrand-Dorléac, Laurence Lambert, Geneviève
spellingShingle	Ginzburg, Carlo Bertrand-Dorléac, Laurence Lambert, Geneviève Carlo Ginzburg avec Laurence Bertrand Dorléac
author_facet	Ginzburg, Carlo Bertrand-Dorléac, Laurence Lambert, Geneviève
author_sort	Ginzburg, Carlo
title	Carlo Ginzburg avec Laurence Bertrand Dorléac
title_short	Carlo Ginzburg avec Laurence Bertrand Dorléac
title_full	Carlo Ginzburg avec Laurence Bertrand Dorléac
title_fullStr	Carlo Ginzburg avec Laurence Bertrand Dorléac
title_full_unstemmed	Carlo Ginzburg avec Laurence Bertrand Dorléac
title_sort	carlo ginzburg avec laurence bertrand dorléac
publishDate	2018
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url	https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2018-4-page-37?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.202.0037
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Carlo Ginzburg avec Laurence Bertrand Dorléac

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