Brigitte Kurmann-Schwarz avec Michel Hérold

Brigitte Kurmann-Schwarz avec Michel Hérold

When Balthus’private archives were deposited at the Musée Cantonal des Beaux Arts in Lausanne, his atelier yielded a last mystery: a series of preparatory photographs that were used as sketches for a large landscape painted in the beginning of the 1940s, Le Gottéron. Five years after the discovery...

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Asıl Yazarlar: Kurmann-Schwarz, Brigitte, Hérold, Michel
Materyal Türü: Article ou chapitre numérique
Dil:Français
Baskı/Yayın Bilgisi: 2018
Online Erişim:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_202_0017RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2018-4-page-17?lang=fr https://doi.org/10.3917/rda.202.0017 Brigitte Kurmann-Schwarz avec Michel Hérold Kurmann-Schwarz, BrigitteHérold, Michel2018 fre Revue de l'art | 202 | 4 | 2018-12-26 | p. 17-23 | 0035-1326 RDA_20248 When Balthus’private archives were deposited at the Musée Cantonal des Beaux Arts in Lausanne, his atelier yielded a last mystery: a series of preparatory photographs that were used as sketches for a large landscape painted in the beginning of the 1940s, Le Gottéron. Five years after the discovery of the very numerous polaroids from his last years of creation, this new body leads to rethinking the rapports of the painter with photography. The camera visibly integrated the Balthusian palette well before the incapacity of the body to draw, which tends to challenge the commonly accepted assumption of its purely late and palliative use. Distant from the motif of the young girl associated with Balthus, these photographic notes also translate the importance of landscape in the work and its function as a formal laboratory. This article will thus deal with the twists and turns of the work focusing on an almost unknown medium and a less studied pictorial type. It opens a new analysis of the artist’s creative process, documented through numerous photographs and at the origin of a photographic esthetic. In 1943, the shooting device that will preside over the images of the 1990s is already in place.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description When Balthus’private archives were deposited at the Musée Cantonal des Beaux Arts in Lausanne, his atelier yielded a last mystery: a series of preparatory photographs that were used as sketches for a large landscape painted in the beginning of the 1940s, Le Gottéron. Five years after the discovery of the very numerous polaroids from his last years of creation, this new body leads to rethinking the rapports of the painter with photography. The camera visibly integrated the Balthusian palette well before the incapacity of the body to draw, which tends to challenge the commonly accepted assumption of its purely late and palliative use. Distant from the motif of the young girl associated with Balthus, these photographic notes also translate the importance of landscape in the work and its function as a formal laboratory. This article will thus deal with the twists and turns of the work focusing on an almost unknown medium and a less studied pictorial type. It opens a new analysis of the artist’s creative process, documented through numerous photographs and at the origin of a photographic esthetic. In 1943, the shooting device that will preside over the images of the 1990s is already in place.
author Kurmann-Schwarz, Brigitte
Hérold, Michel
spellingShingle Kurmann-Schwarz, Brigitte
Hérold, Michel
Brigitte Kurmann-Schwarz avec Michel Hérold
author_facet Kurmann-Schwarz, Brigitte
Hérold, Michel
author_sort Kurmann-Schwarz, Brigitte
title Brigitte Kurmann-Schwarz avec Michel Hérold
title_short Brigitte Kurmann-Schwarz avec Michel Hérold
title_full Brigitte Kurmann-Schwarz avec Michel Hérold
title_fullStr Brigitte Kurmann-Schwarz avec Michel Hérold
title_full_unstemmed Brigitte Kurmann-Schwarz avec Michel Hérold
title_sort brigitte kurmann-schwarz avec michel hérold
publishDate 2018
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2018-4-page-17?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.202.0017
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