Autour du Bazille et ses amis de Gaston Poulain : redécouvrir Frédéric Bazille et repenser Claude Monet

When it was published in 1932, Gaston Poulain’s work Bazille et Ses Amis was highly successful among specialists as well as for a wider audience. The unanimous praise from the press demonstrated the emergence of a new demand, in which the rediscovery of Frédéric Bazille participated. The period is...

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Auteur principal: Viraben, Hadrien
Format: Article ou chapitre numérique
Langue:Français
Publié: 2018
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_201_0055RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2018-3-page-55?lang=fr https://doi.org/10.3917/rda.201.0055 Autour du Bazille et ses amis de Gaston Poulain : redécouvrir Frédéric Bazille et repenser Claude Monet Viraben, Hadrien2018 fre Revue de l'art | 201 | 3 | 2018-09-26 | p. 55-62 | 0035-1326 RDA_20142 When it was published in 1932, Gaston Poulain’s work Bazille et Ses Amis was highly successful among specialists as well as for a wider audience. The unanimous praise from the press demonstrated the emergence of a new demand, in which the rediscovery of Frédéric Bazille participated. The period is marked by an inflation of previously unpublished documents (letters and photographs), and by a “return to the origins” of Impressionism. Poulain’s career, one of the last interviewers of Claude Monet, translates in itself this turning point, in that he chooses a documentary approach questioning the artist’s word. His book, written based essentially on unpublished letters widely participated in this reorientation of the taste of historians and art history literature, while nevertheless satisfying the demand of the general public for a “romanticized” life of the artist.Cairn free access
language Français
format Article ou chapitre numérique
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description When it was published in 1932, Gaston Poulain’s work Bazille et Ses Amis was highly successful among specialists as well as for a wider audience. The unanimous praise from the press demonstrated the emergence of a new demand, in which the rediscovery of Frédéric Bazille participated. The period is marked by an inflation of previously unpublished documents (letters and photographs), and by a “return to the origins” of Impressionism. Poulain’s career, one of the last interviewers of Claude Monet, translates in itself this turning point, in that he chooses a documentary approach questioning the artist’s word. His book, written based essentially on unpublished letters widely participated in this reorientation of the taste of historians and art history literature, while nevertheless satisfying the demand of the general public for a “romanticized” life of the artist.
author Viraben, Hadrien
spellingShingle Viraben, Hadrien
Autour du Bazille et ses amis de Gaston Poulain : redécouvrir Frédéric Bazille et repenser Claude Monet
author_facet Viraben, Hadrien
author_sort Viraben, Hadrien
title Autour du Bazille et ses amis de Gaston Poulain : redécouvrir Frédéric Bazille et repenser Claude Monet
title_short Autour du Bazille et ses amis de Gaston Poulain : redécouvrir Frédéric Bazille et repenser Claude Monet
title_full Autour du Bazille et ses amis de Gaston Poulain : redécouvrir Frédéric Bazille et repenser Claude Monet
title_fullStr Autour du Bazille et ses amis de Gaston Poulain : redécouvrir Frédéric Bazille et repenser Claude Monet
title_full_unstemmed Autour du Bazille et ses amis de Gaston Poulain : redécouvrir Frédéric Bazille et repenser Claude Monet
title_sort autour du bazille et ses amis de gaston poulain : redécouvrir frédéric bazille et repenser claude monet
publishDate 2018
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2018-3-page-55?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.201.0055
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