Une modeste illustration de presse
The illustration that Norman Rockwell published in 1962 on the cover of a popular magazine presents an image of the symbolic confrontation between ancient figurative art and the new abstract art. This unpretentious image is at the center of animated debates on the artistic value of avant-garde trend...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
2018
|
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
cairn-RDA_201_0043 |
|---|---|
| record_format |
cairn |
| spelling |
cairn-RDA_201_0043RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2018-3-page-43?lang=fr https://doi.org/10.3917/rda.201.0043 Une modeste illustration de presse Bonnet, Alain2018 fre Revue de l'art | 201 | 3 | 2018-09-26 | p. 43-53 | 0035-1326 RDA_20141 The illustration that Norman Rockwell published in 1962 on the cover of a popular magazine presents an image of the symbolic confrontation between ancient figurative art and the new abstract art. This unpretentious image is at the center of animated debates on the artistic value of avant-garde trends and pleasingly illustrates the question of the reaction of the anonymous spectator to the stylistic experimentations of pictorial modernity. Rockwell’s Connoisseur nevertheless does not answer the question that Life posed to its readers in 1948: “Is modern art, considered as a whole, a good or a bad development? That is to say is it something that responsible people can support, or may they neglect it as a minor and impermanent phase of culture?”Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
The illustration that Norman Rockwell published in 1962 on the cover of a popular magazine presents an image of the symbolic confrontation between ancient figurative art and the new abstract art. This unpretentious image is at the center of animated debates on the artistic value of avant-garde trends and pleasingly illustrates the question of the reaction of the anonymous spectator to the stylistic experimentations of pictorial modernity. Rockwell’s Connoisseur nevertheless does not answer the question that Life posed to its readers in 1948: “Is modern art, considered as a whole, a good or a bad development? That is to say is it something that responsible people can support, or may they neglect it as a minor and impermanent phase of culture?” |
| author |
Bonnet, Alain |
| spellingShingle |
Bonnet, Alain Une modeste illustration de presse |
| author_facet |
Bonnet, Alain |
| author_sort |
Bonnet, Alain |
| title |
Une modeste illustration de presse |
| title_short |
Une modeste illustration de presse |
| title_full |
Une modeste illustration de presse |
| title_fullStr |
Une modeste illustration de presse |
| title_full_unstemmed |
Une modeste illustration de presse |
| title_sort |
une modeste illustration de presse |
| publishDate |
2018 |
| container_title |
|
| container_issue |
|
| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2018-3-page-43?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.201.0043 |
| _version_ |
1877246446169751553 |