Les premiers meubles d’Henry van de Velde
This article is a study of the first pieces of furniture made by Henry van de Velde beginning in 1893. His career as a neo-Impressionist painter influenced him in the making of his furniture. The result lacked plasticity. On the other hand, his metal art works were almost sculptural. Van de Velde’s...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2018
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_201_0039RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2018-3-page-39?lang=fr https://doi.org/10.3917/rda.201.0039 Les premiers meubles d’Henry van de Velde Zurstrassen, Benjamin2018 fre Revue de l'art | 201 | 3 | 2018-09-26 | p. 39-41 | 0035-1326 RDA_20140 This article is a study of the first pieces of furniture made by Henry van de Velde beginning in 1893. His career as a neo-Impressionist painter influenced him in the making of his furniture. The result lacked plasticity. On the other hand, his metal art works were almost sculptural. Van de Velde’s difficulties with furniture were due to his problem of combining the expressive dimension dear to him as a neo-Impressionist artist with structural aspects stemming from the rationalism – mainly originating from Violletle-Duc – which he continually referenced in his writings. His ambition of a perfect harmony between these aspirations was therefore not always fully achieved.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
This article is a study of the first pieces of furniture made by Henry van de Velde beginning in 1893. His career as a neo-Impressionist painter influenced him in the making of his furniture. The result lacked plasticity. On the other hand, his metal art works were almost sculptural. Van de Velde’s difficulties with furniture were due to his problem of combining the expressive dimension dear to him as a neo-Impressionist artist with structural aspects stemming from the rationalism
– mainly originating from Violletle-Duc – which he continually referenced in his writings. His ambition of a perfect harmony between these aspirations was therefore not always fully achieved. |
| author |
Zurstrassen, Benjamin |
| spellingShingle |
Zurstrassen, Benjamin Les premiers meubles d’Henry van de Velde |
| author_facet |
Zurstrassen, Benjamin |
| author_sort |
Zurstrassen, Benjamin |
| title |
Les premiers meubles d’Henry van de Velde |
| title_short |
Les premiers meubles d’Henry van de Velde |
| title_full |
Les premiers meubles d’Henry van de Velde |
| title_fullStr |
Les premiers meubles d’Henry van de Velde |
| title_full_unstemmed |
Les premiers meubles d’Henry van de Velde |
| title_sort |
les premiers meubles d’henry van de velde |
| publishDate |
2018 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2018-3-page-39?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.201.0039 |
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