Le sentiment de la nature dans l’habitat des élites (1760-1790)
Place for representation and social affirmation, the dwelling places of the elite are transformed in the 18th century in order to leave more room for pleasure and the expression of sensitivity. Nature, in particular, imposes itself as a fertile decorative theme, which renews the aspect of interiors....
Enregistré dans:
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2018
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_201_0029 |
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cairn |
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cairn-RDA_201_0029RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2018-3-page-29?lang=fr https://doi.org/10.3917/rda.201.0029 Le sentiment de la nature dans l’habitat des élites (1760-1790) Lebeurre, Alexia2018 fre Revue de l'art | 201 | 3 | 2018-09-26 | p. 29-38 | 0035-1326 RDA_20139 Place for representation and social affirmation, the dwelling places of the elite are transformed in the 18th century in order to leave more room for pleasure and the expression of sensitivity. Nature, in particular, imposes itself as a fertile decorative theme, which renews the aspect of interiors. Especially in the cycles painted by Joseph Vernet and then by Hubert Robert, the taste for a rural and somewhat artificial nature gives way to visions that are grandiose and stirring and that arouse new emotions. At the same time the trompe l’œil landscapes offer a spectacular panoramic vision that transforms the room into a grove of greenery. The winter gardens and mirrors blur the frontiers between inside and outside, thus completing the transformation of the residence into a space for the senses.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Place for representation and social affirmation, the dwelling places of the elite are transformed in the 18th century in order to leave more room for pleasure and the expression of sensitivity. Nature, in particular, imposes itself as a fertile decorative theme, which renews the aspect of interiors. Especially in the cycles painted by Joseph Vernet and then by Hubert Robert, the taste for a rural and somewhat artificial nature gives way to visions that are grandiose and stirring and that arouse new emotions. At the same time the trompe l’œil landscapes offer a spectacular panoramic vision that transforms the room into a grove of greenery. The winter gardens and mirrors blur the frontiers between inside and outside, thus completing the transformation of the residence into a space for the senses. |
| author |
Lebeurre, Alexia |
| spellingShingle |
Lebeurre, Alexia Le sentiment de la nature dans l’habitat des élites (1760-1790) |
| author_facet |
Lebeurre, Alexia |
| author_sort |
Lebeurre, Alexia |
| title |
Le sentiment de la nature dans l’habitat des élites (1760-1790) |
| title_short |
Le sentiment de la nature dans l’habitat des élites (1760-1790) |
| title_full |
Le sentiment de la nature dans l’habitat des élites (1760-1790) |
| title_fullStr |
Le sentiment de la nature dans l’habitat des élites (1760-1790) |
| title_full_unstemmed |
Le sentiment de la nature dans l’habitat des élites (1760-1790) |
| title_sort |
le sentiment de la nature dans l’habitat des élites (1760-1790) |
| publishDate |
2018 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2018-3-page-29?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.201.0029 |
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