Senghor et le Surréalisme
Ties between the surrealist poets and the poets of the Negritude were strong and lasting.However close he was to surrealist poets — he was on visiting terms with Philippe Soupault —, Léopold Sédar Senghor never adopted the surrealist style of writing and always pointed out the difference between Eur...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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1996
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-PRESA_154_0176 |
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cairn-PRESA_154_0176PRESAPrésence Africaine https://shs.cairn.info/revue-presence-africaine-1996-2-page-176?lang=fr https://doi.org/10.3917/presa.154.0176 Senghor et le Surréalisme Tati Loutard, Jean-Baptiste1996 fre Présence Africaine | 154 | 2 | 1996-06-01 | p. 176-183 | 0032-7638 PRESA_15428 Ties between the surrealist poets and the poets of the Negritude were strong and lasting.However close he was to surrealist poets — he was on visiting terms with Philippe Soupault —, Léopold Sédar Senghor never adopted the surrealist style of writing and always pointed out the difference between European Surrealism which relates to the unconscious and Negro-African Surrealism which acknowledges the existence of cosmic forces, gods and ancestors.He also noted the difference between the arbitrary, unvoluntary, mental nature of European Surrealism and the essentially analogical nature of Negro-African image. He was aware of the natural immediacy of African Surrealism versus the intellectual and speculative aspect of European Surrealism.Cairn restricted access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Ties between the surrealist poets and the poets of the Negritude were strong and lasting.However close he was to surrealist poets — he was on visiting terms with Philippe Soupault —, Léopold Sédar Senghor never adopted the surrealist style of writing and always pointed out the difference between European Surrealism which relates to the unconscious and Negro-African Surrealism which acknowledges the existence of cosmic forces, gods and ancestors.He also noted the difference between the arbitrary, unvoluntary, mental nature of European Surrealism and the essentially analogical nature of Negro-African image. He was aware of the natural immediacy of African Surrealism versus the intellectual and speculative aspect of European Surrealism. |
| author |
Tati Loutard, Jean-Baptiste |
| spellingShingle |
Tati Loutard, Jean-Baptiste Senghor et le Surréalisme |
| author_facet |
Tati Loutard, Jean-Baptiste |
| author_sort |
Tati Loutard, Jean-Baptiste |
| title |
Senghor et le Surréalisme |
| title_short |
Senghor et le Surréalisme |
| title_full |
Senghor et le Surréalisme |
| title_fullStr |
Senghor et le Surréalisme |
| title_full_unstemmed |
Senghor et le Surréalisme |
| title_sort |
senghor et le surréalisme |
| publishDate |
1996 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-presence-africaine-1996-2-page-176?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/presa.154.0176 |
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1877284599057350656 |