Lʼensemble guinéen Kaloum

By analysing two plays of W ole Soyinka – « The Lion and The Jewel » and «The Trials of Brother Jero » – A. Ricard shows how the playwright reinterprets traditional elements as a function of an aesthetic understandable to all peoples in a. theatrical setting.

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Hlavní autor: Ba, Mamadou
Médium: Article ou chapitre numérique
Jazyk:Français
Vydáno: 1970
On-line přístup:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-PRESA_073_0170PRESAPrésence Africaine https://shs.cairn.info/revue-presence-africaine-1970-1-page-170?lang=fr https://doi.org/10.3917/presa.073.0170 Lʼensemble guinéen Kaloum Ba, Mamadou1970 fre Présence Africaine | 73 | 1 | 1970-03-01 | p. 170-171 | 0032-7638 PRESA_07355 By analysing two plays of W ole Soyinka – « The Lion and The Jewel » and «The Trials of Brother Jero » – A. Ricard shows how the playwright reinterprets traditional elements as a function of an aesthetic understandable to all peoples in a. theatrical setting.Cairn restricted access
language Français
format Article ou chapitre numérique
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description By analysing two plays of W ole Soyinka – « The Lion and The Jewel » and «The Trials of Brother Jero » – A. Ricard shows how the playwright reinterprets traditional elements as a function of an aesthetic understandable to all peoples in a. theatrical setting.
author Ba, Mamadou
spellingShingle Ba, Mamadou
Lʼensemble guinéen Kaloum
author_facet Ba, Mamadou
author_sort Ba, Mamadou
title Lʼensemble guinéen Kaloum
title_short Lʼensemble guinéen Kaloum
title_full Lʼensemble guinéen Kaloum
title_fullStr Lʼensemble guinéen Kaloum
title_full_unstemmed Lʼensemble guinéen Kaloum
title_sort lʼensemble guinéen kaloum
publishDate 1970
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-presence-africaine-1970-1-page-170?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/presa.073.0170
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