Claude McKayʼs "Banjo"

By analysing two plays of W ole Soyinka – « The Lion and The Jewel » and «The Trials of Brother Jero » – A. Ricard shows how the playwright reinterprets traditional elements as a function of an aesthetic understandable to all peoples in a. theatrical setting.

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Autor principal: Kaye, Jacqueline
Format: Article ou chapitre numérique
Idioma:Français
Publicat: 1970
Accés en línia:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-PRESA_073_0165PRESAPrésence Africaine https://shs.cairn.info/revue-presence-africaine-1970-1-page-165?lang=en https://doi.org/10.3917/presa.073.0165 Claude McKayʼs "Banjo" Kaye, Jacqueline1970 fre Présence Africaine | 73 | 1 | 1970-03-01 | p. 165-169 | 0032-7638 PRESA_07354 By analysing two plays of W ole Soyinka – « The Lion and The Jewel » and «The Trials of Brother Jero » – A. Ricard shows how the playwright reinterprets traditional elements as a function of an aesthetic understandable to all peoples in a. theatrical setting.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description By analysing two plays of W ole Soyinka – « The Lion and The Jewel » and «The Trials of Brother Jero » – A. Ricard shows how the playwright reinterprets traditional elements as a function of an aesthetic understandable to all peoples in a. theatrical setting.
author Kaye, Jacqueline
spellingShingle Kaye, Jacqueline
Claude McKayʼs "Banjo"
author_facet Kaye, Jacqueline
author_sort Kaye, Jacqueline
title Claude McKayʼs "Banjo"
title_short Claude McKayʼs "Banjo"
title_full Claude McKayʼs "Banjo"
title_fullStr Claude McKayʼs "Banjo"
title_full_unstemmed Claude McKayʼs "Banjo"
title_sort claude mckayʼs "banjo"
publishDate 1970
container_title
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-presence-africaine-1970-1-page-165?lang=en
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/presa.073.0165
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