Malcolm … je me souviens

Malcolm … je me souviens

The African film-maker should approach his continent and his fellows with humility. Certain film-makers are so full of techniques and prejudices that they have seen nothing of what they have filmed. On the other hand, producers of documentaries do see what they are filming but, even if their camera...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: More, Carlos
Format: Article ou chapitre numérique
Sprache:Français
Veröffentlicht: 1967
Online Zugang:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-PRESA_062_0084
record_format cairn
spelling cairn-PRESA_062_0084PRESAPrésence Africaine https://shs.cairn.info/revue-presence-africaine-1967-2-page-84?lang=fr https://doi.org/10.3917/presa.062.0084 Malcolm … je me souviens More, Carlos1967 fre Présence Africaine | 62 | 2 | 1967-06-01 | p. 84-88 | 0032-7638 PRESA_06265 The African film-maker should approach his continent and his fellows with humility. Certain film-makers are so full of techniques and prejudices that they have seen nothing of what they have filmed. On the other hand, producers of documentaries do see what they are filming but, even if their camera is sincere, it often depicts the coarser side of life or, at times, deformations of what is really true. The African film-maker must look at his continent as if nobody had ever seen it before. Better still — as if he himself had never looked at it. Perhaps he must know how to use a camera; he must always remember his own language and childhood and always be on the alert because truth is fugitive. Money is contraindicating.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description The African film-maker should approach his continent and his fellows with humility. Certain film-makers are so full of techniques and prejudices that they have seen nothing of what they have filmed. On the other hand, producers of documentaries do see what they are filming but, even if their camera is sincere, it often depicts the coarser side of life or, at times, deformations of what is really true. The African film-maker must look at his continent as if nobody had ever seen it before. Better still — as if he himself had never looked at it. Perhaps he must know how to use a camera; he must always remember his own language and childhood and always be on the alert because truth is fugitive. Money is contraindicating.
author More, Carlos
spellingShingle More, Carlos
Malcolm … je me souviens
author_facet More, Carlos
author_sort More, Carlos
title Malcolm … je me souviens
title_short Malcolm … je me souviens
title_full Malcolm … je me souviens
title_fullStr Malcolm … je me souviens
title_full_unstemmed Malcolm … je me souviens
title_sort malcolm … je me souviens
publishDate 1967
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-presence-africaine-1967-2-page-84?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/presa.062.0084
_version_ 1877246376132214785

Ähnliche Einträge