Collaboration in Focus

This article examines the collaboration trials of French photographers André Zucca (1944–1945) and Robert Delhay (1947–1949) within the context of the postwar French state’s attempts to punish collaboration and rehabilitate the French press. Paying attention to the interpretation of photographs as e...

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Publicado no:French Politics, Culture & Society | 40 | 3 | 2023-01-30 | p. 73-98 | 1537-6370
Autor principal: Lewis, Abigail E
Formato: Article ou chapitre numérique
Idioma:Français
Publicado em: 2023
Assuntos:
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-FPCS_403_0073FPCSFrench Politics, Culture & Society https://shs.cairn.info/revue-french-politics-culture-and-society-2022-3-page-73?lang=fr https://doi.org/10.3167/fpcs.2022.400304 Collaboration in Focus Lewis, Abigail E2023 André ZuccaNazi occupationphotographythe purges (épuration)Vichy FranceWorld War IIfre French Politics, Culture & Society | 40 | 3 | 2023-01-30 | p. 73-98 | 1537-6370 FPCS_40311 This article examines the collaboration trials of French photographers André Zucca (1944–1945) and Robert Delhay (1947–1949) within the context of the postwar French state’s attempts to punish collaboration and rehabilitate the French press. Paying attention to the interpretation of photographs as evidence, I argue that within the post–Liberation French courtroom, photographic evidence became crucial to narrating collaboration and resistance as a means of gaining re-acceptance into the profession and escaping legal charges. However, photographs proved too complicated to clearly prove either collaboration. Photographers disputed the charges against them by offering new interpretations of their photographs. These new readings were rooted in a postwar visual culture that had been saturated with photographs as historical evidence of Nazi atrocities, French victimization, and resistance. This article details how the collection and display of photographic evidence in these court proceedings informed the emergence of a postwar photographic press steeped in résistancialisme.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
topic André Zucca
Nazi occupation
photography
the purges (épuration)
Vichy France
World War II
spellingShingle André Zucca
Nazi occupation
photography
the purges (épuration)
Vichy France
World War II
Lewis, Abigail E
Collaboration in Focus
topic_facet André Zucca
Nazi occupation
photography
the purges (épuration)
Vichy France
World War II
description This article examines the collaboration trials of French photographers André Zucca (1944–1945) and Robert Delhay (1947–1949) within the context of the postwar French state’s attempts to punish collaboration and rehabilitate the French press. Paying attention to the interpretation of photographs as evidence, I argue that within the post–Liberation French courtroom, photographic evidence became crucial to narrating collaboration and resistance as a means of gaining re-acceptance into the profession and escaping legal charges. However, photographs proved too complicated to clearly prove either collaboration. Photographers disputed the charges against them by offering new interpretations of their photographs. These new readings were rooted in a postwar visual culture that had been saturated with photographs as historical evidence of Nazi atrocities, French victimization, and resistance. This article details how the collection and display of photographic evidence in these court proceedings informed the emergence of a postwar photographic press steeped in résistancialisme.
author Lewis, Abigail E
author_facet Lewis, Abigail E
author_sort Lewis, Abigail E
title Collaboration in Focus
title_short Collaboration in Focus
title_full Collaboration in Focus
title_fullStr Collaboration in Focus
title_full_unstemmed Collaboration in Focus
title_sort collaboration in focus
publishDate 2023
container_title French Politics
container_issue Culture & Society | 40 | 3 | 2023-01-30 | p. 73-98 | 1537-6370
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-french-politics-culture-and-society-2022-3-page-73?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3167/fpcs.2022.400304
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