« Tout sauf un spectateur passif » : Geoffrey Hill comme critique modèle

Geoffrey Hill’s prose has prompted longstanding critical controversy, much of which turns on the perceived difficulty, intransigence and anachronism of his œuvre as a whole. This paper proposes that new ways to navigate this controversy can be found in Hill’s preoccupation with the exemplary dimensi...

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Autori principali: Vincent, Bridget, Albert, Nicole G.
Natura: Article ou chapitre numérique
Lingua:Français
Pubblicazione: 2013
Accesso online:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-DIO_237_0121DIODiogène https://shs.cairn.info/revue-diogene-2012-1-page-121?lang=fr https://doi.org/10.3917/dio.237.0121 « Tout sauf un spectateur passif » : Geoffrey Hill comme critique modèle Vincent, BridgetAlbert, Nicole G.2013 fre Diogène | 237 | 1 | 2013-05-01 | p. 121-137 | 0419-1633 DIO_23741 Geoffrey Hill’s prose has prompted longstanding critical controversy, much of which turns on the perceived difficulty, intransigence and anachronism of his œuvre as a whole. This paper proposes that new ways to navigate this controversy can be found in Hill’s preoccupation with the exemplary dimensions of writing – that is, in his interest in the poet’s capacity to offer examples (positive and negative) to a community of readers. The discussion pays particular attention to the connections Hill’s reviews establish between style and ethical choice and between literary difficulty and democracy ; connections which are intertwined with his ethics of exemplarity in fundamental ways. The paper also engages with those dimensions of literary exemple-use which emerge in new or unusual ways in his prose : his presentation of “models” or ideals for the organisation of civil society ; his treatment of certain literary works as exemplars or embodiments of philosophical ideas ; and his procedural tic of “sampling” regularly for the purpose of chastisement the “bad example” set by some of the works he criticises.Cairn free access
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description Geoffrey Hill’s prose has prompted longstanding critical controversy, much of which turns on the perceived difficulty, intransigence and anachronism of his œuvre as a whole. This paper proposes that new ways to navigate this controversy can be found in Hill’s preoccupation with the exemplary dimensions of writing – that is, in his interest in the poet’s capacity to offer examples (positive and negative) to a community of readers. The discussion pays particular attention to the connections Hill’s reviews establish between style and ethical choice and between literary difficulty and democracy ; connections which are intertwined with his ethics of exemplarity in fundamental ways. The paper also engages with those dimensions of literary exemple-use which emerge in new or unusual ways in his prose : his presentation of “models” or ideals for the organisation of civil society ; his treatment of certain literary works as exemplars or embodiments of philosophical ideas ; and his procedural tic of “sampling” regularly for the purpose of chastisement the “bad example” set by some of the works he criticises.
author Vincent, Bridget
Albert, Nicole G.
spellingShingle Vincent, Bridget
Albert, Nicole G.
« Tout sauf un spectateur passif » : Geoffrey Hill comme critique modèle
author_facet Vincent, Bridget
Albert, Nicole G.
author_sort Vincent, Bridget
title « Tout sauf un spectateur passif » : Geoffrey Hill comme critique modèle
title_short « Tout sauf un spectateur passif » : Geoffrey Hill comme critique modèle
title_full « Tout sauf un spectateur passif » : Geoffrey Hill comme critique modèle
title_fullStr « Tout sauf un spectateur passif » : Geoffrey Hill comme critique modèle
title_full_unstemmed « Tout sauf un spectateur passif » : Geoffrey Hill comme critique modèle
title_sort « tout sauf un spectateur passif » : geoffrey hill comme critique modèle
publishDate 2013
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-diogene-2012-1-page-121?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/dio.237.0121
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