L’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches
In sixteenth-century books illustrations were used as much for accompanying and structuring the text as for decorating purposes. Most of the illustration engravings were commissioned by writers and printers. For the writers images were sometimes indispensable to clarify a subject. For the printers t...
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| Format: | Article ou chapitre numérique |
| Sprog: | Français |
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2017
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-BUBIB_366_0090BUBIBBulletin du bibliophile https://shs.cairn.info/revue-bulletin-du-bibliophile-2017-2-page-292?lang=fr https://doi.org/10.3917/bubib.366.0090 L’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches Baydova, Anna2017 fre Bulletin du bibliophile | - | 2 | 2017-01-02 | p. 292-314 | 0399-9742 BUBIB_36688 In sixteenth-century books illustrations were used as much for accompanying and structuring the text as for decorating purposes. Most of the illustration engravings were commissioned by writers and printers. For the writers images were sometimes indispensable to clarify a subject. For the printers they were also an additional commercial argument. Materials were even kept after printing, since their reuse permitted to reduce the costs of illustrated editions. Printers would put together in their workshops real collections of engravings they could draw from if necessary. Based on archival documents and the analysis of the typographical equipment of printers, this article aims at showing definite examples of the commissioning of illustrations for the sixteenth-century Parisian editions, as well as the mechanisms in building collections of printing plates.Cairn restricted access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
In sixteenth-century books illustrations were used as much for accompanying and
structuring the text as for decorating purposes. Most of the illustration engravings
were commissioned by writers and printers. For the writers images were sometimes
indispensable to clarify a subject. For the printers they were also an additional commercial argument. Materials were even kept after printing, since their reuse permitted
to reduce the costs of illustrated editions. Printers would put together in their workshops real collections of engravings they could draw from if necessary. Based on
archival documents and the analysis of the typographical equipment of printers, this
article aims at showing definite examples of the commissioning of illustrations for the
sixteenth-century Parisian editions, as well as the mechanisms in building collections
of printing plates. |
| author |
Baydova, Anna |
| spellingShingle |
Baydova, Anna L’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches |
| author_facet |
Baydova, Anna |
| author_sort |
Baydova, Anna |
| title |
L’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches |
| title_short |
L’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches |
| title_full |
L’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches |
| title_fullStr |
L’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches |
| title_full_unstemmed |
L’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches |
| title_sort |
l’illustration des éditions parisiennes du xvie siècle : commanditaires et possesseurs des planches |
| publishDate |
2017 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-bulletin-du-bibliophile-2017-2-page-292?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/bubib.366.0090 |
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