Tuning, Timbre, Spectrum, Scale
Table2. 2. Each note consists of three partials. If the sequence is played ascending, then the ?rst virtual pitch tends to be perceived, whereas if played descending, the second, lower virtual pitch tends to be heard. Only one virtual pitch is audible at a time. This can be heard in sound examples [...
Gorde:
| Egile nagusia: | |
|---|---|
| Formatua: | Livre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
London :
Springer London : Springer e-books
[20..].
Cham : Springer Nature |
| Edizioa: | Second Edition. |
| Sarrera elektronikoa: | Accès sur la plateforme de l'éditeur Accès sur la plateforme Istex Accès Université d'Orléans Accès INSA CVL |
| Oharra: |
Archives Springer e-books (Licence nationale) Archives Springer e-books (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Tuning, timbre, spectrum, scale, William A. Sethares, 2nd ed, London, Springer, 2005, 1 vol. (XVIII-426 p.), 1-85233-797-4 |
Aurkibidea:
- The Octave Is Dead Long Live the Octave The Science of Sound Sound on Sound Musical Scales Consonance and Dissonance of Harmonic Sounds Related Spectra and Scales A Bell, A Rock, A Crystal Adaptive Tunings A Wing, An Anomaly, A Recollection The Gamelan Consonance-Based Musical Analysis From Tuning to Spectrum Spectral Mappings A Music Theory for 10-tet Classical Music of Thailand and 7-tet Speculation, Correlation, Interpretation, Conclusion