Cosmogonies : Zinsou : une collection africaine : = an African collection : [exposition, Montpellier, Hôtel des Collections, 3 juillet - 10 octobre 2021]

Beginning in the early 1990s, a trend towards aesthetic globalization brought profound change to the art world - or at least to its geopolitics. African contemporary art gained acceptance as a living reality, although not unconditionally: intellectually a clotted perception of its traditional forms...

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Detalles Bibliográficos
Otros Autores: Faure, Pauline (Director de publicación), Tittensor, John, 1941- (Traductor), Delafosse, Michaël, 1977- (Autor de introducción, etc.), Bourriaud, Nicolas, 1965- (Autor de introducción, etc.)
Formato: Livre papier
Lenguaje:Français
Anglais
Publicado: Milano : Montpellier : Silvana editoriale ; MO.CO. Montpellier Contemporain DL 2021.
Materias:
Nota: Texte bilingue français-anglais
Autres localisations: Voir dans le Sudoc
Variante du titre:Exposition., Montpellier, MO.CO. Hôtel des Collections, 2021
Zinsou, une collection africaine
Zinsou, an African collection
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520 |a Beginning in the early 1990s, a trend towards aesthetic globalization brought profound change to the art world - or at least to its geopolitics. African contemporary art gained acceptance as a living reality, although not unconditionally: intellectually a clotted perception of its traditional forms persisted, all the more so in that these forms were still closely implicated in the history of modern Western art. That a foundation like the one created by the Zinsou family should exist today as an umbrella for some of Africa's leading artists is a tribute to hard work, patience and sheer stubbornness. It took a long time, however, before more hybrid artforms resonating with the Western context would gain recognition. With a selection of works by 37 African artists - characterized by a porosity between reality and the supernatural, between everyday life and legend - the Hôtel des collections of Montpellier celebrates the militant activity of the Zinsou Foundation, firmly anchored in its Beninese context while also addressing the whole world 
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