Gerhard Richter : painting after all

Over the course of his 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This book features approxima...

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Dades bibliogràfiques
Autors principals: Wagstaff, Sheena, Buchloh, Benjamin Heinz-Dieter, 1941- (Autor), Fer, Briony, 1956- (Autor), Foster, Hal, 1955- (Autor), Geimer, Peter, 1965- (Autor), Kumar, Brinda (Autor), Rottmann, André (Autor)
Altres autors: Stockman, Russell (Traductor)
Format: Livre papier
Idioma:Anglais
Publicat: New York, NY : The MET, Metropolitan Museum of Art C 2020.
Matèries:
Nota: Publié à l'occasion de l'exposition présentée à New York au Metropolitan Museum of Art du 4 mars au 5 juillet 2020, et à Los Angeles, au Museum of Contemporary Art, du 14 août 2020 au 19 janvier 2021
Autres localisations: Voir dans le Sudoc
Variante du titre:Exposition., New York, Metropolitan Museum of Art, 2020
Exposition., Los Angeles, Museum of Contemporary Art, 2020, 2021
Painting after all
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082 |a 700.411 
100 1 |a Wagstaff, Sheena. 
240 1 0 |a Exposition.  |l New York  |g Metropolitan Museum of Art  |f 2020 
240 1 0 |a Exposition.  |l Los Angeles  |g Museum of Contemporary Art  |f 2020  |f 2021 
240 1 0 |a Painting after all 
245 1 0 |a Gerhard Richter :  |b painting after all   |c Sheena Wagstaff, Benjamin H. D. Buchloh ; with essays by Briony Fer, Hal Foster, Peter Geimer, Brinda Kumar, André Rottmann. 
260 |a New York, NY :  |b The MET, Metropolitan Museum of Art. 
260 |c C 2020. 
300 |a 1 vol. (269 p.) :  |b ill. en noir et en coul., couv. ill.en coul. ;  |c 27 cm. 
500 |a Publié à l'occasion de l'exposition présentée à New York au Metropolitan Museum of Art du 4 mars au 5 juillet 2020, et à Los Angeles, au Museum of Contemporary Art, du 14 août 2020 au 19 janvier 2021 
504 |a Bibliogr. p. 252-263. Index 
520 |a Over the course of his 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works 
600 |a Richter, Gerhard,  |d 1932-.... 
650 |a Catalogues d'exposition 
700 1 |a Buchloh, Benjamin Heinz-Dieter,  |d 1941-  |4 aut 
700 1 |a Stockman, Russell.  |4 trl 
700 1 |a Fer, Briony,  |d 1956-  |4 aut 
700 1 |a Foster, Hal,  |d 1955-  |4 aut 
700 1 |a Geimer, Peter,  |d 1965-  |4 aut 
700 1 |a Kumar, Brinda.  |4 aut 
700 1 |a Rottmann, André.  |4 aut 
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