The paradox of stillness : art, object, and performance : [exposition, Walker art center (Minneapolis), 2020]
Presenting works from the early 20th century to today, "The paradox of stillness: art, object, and performance" examines the notion of stillness as both a performative and visual gesture, featuring practitioners who have constructed static or near-static experiments that hover somewhere be...
محفوظ في:
| مؤلف مشترك: | |
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| مؤلفون آخرون: | |
| التنسيق: | Livre papier |
| اللغة: | Anglais |
| منشور في: |
Minneapolis (Minn.) :
Walker art center
2020.
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| الطبعة: | First edition. |
| الموضوعات: | |
| ملاحظة: |
Published on the occasion of the exhibition "The paradox of stillness : art, object, and performance", curated by Vincenzo de Bellis and organized by the Walker Art Center, Minneapolis, April 18 - July 26, 2020 |
| Autres localisations: | Voir dans le Sudoc |
| Variante du titre: | Exposition., Minneapolis, Walker art center, 2020 |
| LEADER | 02680nam a22002897a 4500 | ||
|---|---|---|---|
| 001 | 851998 | ||
| 008 | 210525s2020 xxe ||| |||| 00| 0 eng d | ||
| 009 | PPN25557925X | ||
| 020 | |a 9781935963233 (rel.) | ||
| 020 | |a 1935963236 | ||
| 041 | 0 | |a eng | |
| 240 | 1 | 0 | |a Exposition. |l Minneapolis |g Walker art center |f 2020 |
| 245 | 0 | 0 | |a The paradox of stillness : |b art, object, and performance : [exposition, Walker art center (Minneapolis), 2020] |c edited by Vincenzo de Bellis ; with contributions by Manuel Cirauqui, Jadine Collingwood, Hendrik Folkerts, Emma Lavigne, Catherine Wood. |
| 250 | |a First edition. | ||
| 260 | |a Minneapolis (Minn.) : |b Walker art center, |c 2020. | ||
| 300 | |a 1 vol. (328 p.) : |b ill. en coul., couv. ill. en coul. ; |c 29 cm. | ||
| 500 | |a Published on the occasion of the exhibition "The paradox of stillness : art, object, and performance", curated by Vincenzo de Bellis and organized by the Walker Art Center, Minneapolis, April 18 - July 26, 2020 | ||
| 504 | |a Bibliogr. p. 304-312 | ||
| 520 | |a Presenting works from the early 20th century to today, "The paradox of stillness: art, object, and performance" examines the notion of stillness as both a performative and visual gesture, featuring practitioners who have constructed static or near-static experiments that hover somewhere between action and representation as they are experienced in the gallery space. The exhibition investigates performance from the perspective of the object rather than the body, examining how performance has reinterpreted traditional artistic media. Stillness and permanence are qualities typically seen as inherent to painting and sculpture-consider the frozen gestures of a historical tableau or the unyielding solidity of a bronze figure. The Paradox of Stillness, however, expands the artwork's quality of stillness to accommodate uncertain temporalities and physical states, investigating works that merge objects with human bodies suspended in motion. Featuring artists whose works include performative elements but also embrace acts, objects, and gestures that refer more to the inert qualities of painting or sculpture than to true staged action, The Paradox of Stillness rethinks the history of performance through its aesthetic investigations into the interplay of the fixed image and the live body; | ||
| 650 | |a Art |y 20e siècle | ||
| 650 | |a Art |y 21e siècle | ||
| 650 | |a Art de performance | ||
| 650 | |a Statique |x Dans l'art | ||
| 650 | |a Catalogues d'exposition | ||
| 700 | 1 | |a De Bellis, Vincenzo, |d 1977- |4 edt | |
| 710 | 2 | |a Walker art center. |4 edt | |
| 997 | |0 851998 |1 Livre papier |a Ressource papier |b ENSA |c 0/Bourges/ |c 1/Bourges/ENSA/ |z Bourges, ENSA, CAT 2020 MINN | ||